“To die every day to every problem, every pleasure, and not carry over any problem at all; so the mind remains tremendously attentive, active, clear.”

"Beiwen Zhang – Adapting To Every Challenge" in Badminton Pan America http://www.badmintonpanam.org/beiwen-zhang-adapting-to-every-challenge/ (15 December 2020)

1970s, You are the World (1972)
Context: Now, can one die every day to everything that one knows — except, of course, the technological knowledge, the direction where your home is, and so on; that is, to end, psychologically, every day, so that the mind remains fresh, young and innocent? That is death. And to come upon that there must be no shadow of fear. To give up without argument, without any resistance. That is dying. Have you ever tried it? To give up without a murmur, without restraint, without resistance, the thing that gives you most pleasure (the things that are painful, of course, one wants to give up in any case). Actually to let go. Try it. Then, if you do it, you will see that the mind becomes extraordinarily alert, alive and sensitive, free and unburdened. Old age then takes on quite a different meaning, not something to be dreaded.<!-- p. 135

Original: Nella vita, trovare ogni volta la soluzione ad un problema mantiene l’attività intellettuale in piena vitalità.
Source: prevale.net

Quote attributed to Picasso in TIME, October 4, 1976, Modern Living: Ozmosis in Central Park http://quoteinvestigator.com/2015/03/07/child-art/ http://content.time.com/time/magazine/article/0,9171,918412,00.html <br class="br">Disputed <br class="br">Variant: All children are artists. The problem is how to remain an artist once he grows up.

Source: 1990s, Re-Creating the Corporation (1999), p. 3. Opening sentence.

[O] : Introduction, 0.4
Semiotics and the Philosophy of Language (1984)
Context: Every specific semiotics (as every science) is concerned with general epistemological problems. It has to posit its own theoretical object, according to criteria of pertinence, in order to account for an otherwise disordered field of empirical data; and the researcher must be aware of the underlying philosophical assumptions that influence its choice and its criteria for relevance. Like every science, even a specific semiotics ought to take into account a sort of 'uncertainty principle' (as anthropologists must be aware of the fact that their presence as observers can disturb the normal course of the behavioral phenomena they observe). Notwithstanding, a specific semiotics can aspire to a 'scientific' status. Specific semiotics study phenomena that are reasonably independent of their observations.

Source: Cosmic Trigger: Die letzten Geheimnisse der Illuminaten oder An den Grenzen des erweiterten Bewusstseins