“It was true of course, what my dad had said: I did worship my grandfather. There were things about him that I needed to be true, and his being an adulterer was not one of them. When I was a kid, Grandpa Portman's fantastic stories meant it was possible to live a magical life. Even after I stopped believing them, there was still something magical about my grandfather. To have endured all the horrors he did, to have seen the worst of humanity and have your life made unrecognizable by it, to come out of all that the honorable and good and brave person I knew him to be—that was magical. So I couldn't believe he was a liar and a cheater and a bad father. Because if Grandpa Portman wasn't honorable and good, I wasn't sure anyone could be.”
Source: Miss Peregrine's Home for Peculiar Children (2011), Chapter 4, Page 92
Help us to complete the source, original and additional information
Ransom Riggs 13
American writer 1979Related quotes
'So death was a nice thing,' I thought. 'Then why does it make me miserable?'
As quoted by Brian Masters (2011), Killing for Company, Random House, p. 46, ISBN 1446428737
From a letter to H. P. Lovecraft (c. July 1933)
Letters
Context: It seems to me that many writers, by virtue of environments of culture, art and education, slip into writing because of their environments. I became a writer in spite of my environments. Understand, I am not criticizing those environments. They were good, solid and worthy. The fact that they were not inducive to literature and art is nothing in their disfavor. Never the less, it is no light thing to enter into a profession absolutely foreign and alien to the people among which one's lot is cast; a profession which seems as dim and faraway and unreal as the shores of Europe. The people among which I lived — and yet live, mainly — made their living from cotton, wheat, cattle, oil, with the usual percentage of business men and professional men. That is most certainly not in their disfavor. But the idea of a man making his living by writing seemed, in that hardy environment, so fantastic that even today I am sometimes myself assailed by a feeling of unreality. Never the less, at the age of fifteen, having never seen a writer, a poet, a publisher or a magazine editor, and having only the vaguest ideas of procedure, I began working on the profession I had chosen. I have accomplished little enough, but such as it is, it is the result of my own efforts. I had neither expert aid nor advice. I studied no courses in writing; until a year or so ago, I never read a book by anybody advising writers how to write. Ordinarily I had no access to public libraries, and when I did, it was to no such libraries as exist in the cities. Until recently — a few weeks ago in fact — I employed no agent. I have not been a success, and probably never will be. But whatever my failure, I have this thing to remember — that I was a pioneer in my profession, just as my grandfathers were in theirs, in that I was the first man in this section to earn his living as a writer.
If Prison Walls Could Speak (1972)
Source: Autobiography of Mark Twain, Vol. 3 (2015), p. 219, of his "angel-fishes"—girls between the ages of ten and sixteen whom he befriended after the death of his wife
Violating the Boundaries: An Interview with Richard Rodriguez (1999)