“I definitely think this is the best time to be in the industry. Earlier, films were made on a set pattern- love story, family drama, one is rich and other is poor type formulas. But today there are different kinds of films being made and accepted by the audience. I wish I was there in the industry today…I wish I was born in today's time.”

“On the changing face of Indian cinema "At one time I wondered if I was doing the right films, today I know I have made the right choices. Indian cinema is changing, not step by step but by leaps. New blood is coming in, mindsets are changing and our exposure to the world is ever-increasing. I am glad these positive changes are happening when I am in the industry and not ten years from now.”

“So from there on I made all their science fiction films, and the more I did of these films the more I liked it because the studio left me alone. No one at that time was an expert at making sf films so I claimed to be one. I wasn't, of course, but the studio didn't know that so they never argued with me, no matter what I did. In most of my sf films I tried to create an atmosphere because I think if you shoot an imaginative film--a film in which you ask an audience to believe things that are bizarre--you have to make them believe it. You can't do this with the story or actors alone, you have to create a kind of atmosphere while shooting it in which the audience's credibility will be suspended to the point where they don't say to themselves: "That's impossible!"”

“How do I pick a role? Well, primarily I think I would like to be part of a film that's progressive as well as entertaining, you know? Because in India we have a huge amount of audience that is not educated, and they really look up to films… So I think it's important to do a film… that's entertaining but has a message. And after that I'd like to do films that are different for me -- if I'm doing a love story then I want to do a war film, if I'm doing a war film then I want to do a story about an un-wed mother. I think variety is the spice of life.”

“I like doing scary parts, death-stares. Being in the film industry I know it's fake.”

“With the passage of time, I guess my priorities have changed and so have the parameters on the basis of which I decide to do a film. Today I look for a lot more mature roles, with a lot of substance. I want to do different things, or rather -- things differently.”

“I wish to say what I think and feel today, with the proviso that tomorrow perhaps I shall contradict it all.”

“Today, I demand that a film express either theor the. I am not at all interested in anything in between; I am not interested in all those films that do not pulse.”

“I think today there is space and work available for everyone out here. Earlier the scenario was different. Like there was a time when there was monopoly, only two or three singers would get to sing…It was difficult that time. But today the emphasis is on newness, novelty, so there is room for everyone.”

“I have become cautious. There is no fixed formula. Today audience's sensibilities are sharp. You can't feed them rubbish. They want to watch good films. The script has to be appealling. Even if it is larger than life, it has to be realistic. Audiences have to identify with what you are showing.”