“The worst thing to happen to the Jews since Mein Kampf…I can't look at it. It's so horrible. The Israelis that helped make this film were crooks. They never gave us the negative back, they never gave us statements — not that the film was worth anything…The lesson for Big Gus for young people is: Don't listen to anybody. We got lots of advice on that film from older, more experienced people. But the film stunk; it's a disgrace. What you saw was made from a half-inch video that somebody from Israel brought to us…The movie opened in Tel Aviv, but it opened the week of the Seven-Day War. So bombs were raining down outside, but we had a bomb inside the movie theater.”

— Lloyd Kaufman

Village Voice http://www.villagevoice.com/2014-01-15/film/troma-lloyd-kaufman-interview/ January 15, 2014 <br class="br">2014

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American film director 1945

Jack Arnold (director)

Jack Arnold in The Horror People http://eric.b.olsen.tripod.com/arnold.html (1976)

“From every film you learn something new, but from my experience you never know what film is going to open what doors, and it always happens when you least expect it.”

Mila Kunis (1983) American actress

"An Interview With The Black Swan — Mila Kunis" https://medium.com/hope-lies-at-24-frames-per-second/an-interview-with-the-black-swan-mila-kunis-c365cb3c33e0 (11 May 2011)

“Don't make a film if it can't be the film you want to make.”

David Lynch (1946) American filmmaker, television director, visual artist, musician and occasional actor

On making films, from David Lynch: Dune Interview http://www.youtube.com/watch?v=6lZKcW9OGoU&feature=channel&list=UL. <br class="br">Context: Don't make a film if it can't be the film you want to make. It's a joke, and a sick joke, and it'll kill you.

“We are Lao people, we can make whatever film we want to make as Lao people. We don't have to make that film that everyone expects us to make.”

Mattie Do (1981) Laotian film director

『永遠の散歩』Q&A マティー・ドー | "The Long Walk[Bor Mi Vanh Chark https://www.youtube.com/watch?v=DfFCgPzBUag" Q&A Mattie Do (Director) - 7 Nov 2019, at 23 Min 27 Sec] <br class="br">From Tokyo International Film Festival Q&A

“And so I look back on not just the last ten years but everything that I've done as being sort of an ongoing growing continual film school. I mean I don't think I've got to a point where I've achieved anything that feels like, a particular milestone, but there's still a lot more to learn and hopefully a lot more films to make.”

Peter Jackson (1961) New Zealand film director, producer, actor, and screenwriter

Darkhorizons interview (27 March 2006)

“I remember that, as a kid. I never really understood how movies were made, until that movie, because it was such a technical accomplishment. Since then, you’ve seen more and more and more, for all different kids of films, about what goes into the process. If people enjoy the film, it can be really intriguing to see what created that film, how each one of those unique components came together, who the people are who did it and what it meant to them to do it. That’s a great thing to put out there, especially if it is a film that has different technological aspects that are unique. There’s not a lot of that that’s been done before, so I think it’s good for people to see.”

Patrick Lussier (1964) Canadian-American film director, screenwriter and film editor

Exclusive: Director Patrick Lussier Talks Drive Angry DVD/Blu-ray, Hallraiser and Halloween 3 http://collider.com/patrick-lussier-drive-angry-hellraiser-halloween-3/ (May 31, 2011)

“I don't like film. Film is too clankingly real, too permanent, too industrial for me. … The worst thing about film, from my point of view, is that it cripples illusions which I have encouraged people to create in their heads. Film doesn't create illusions. It makes them impossible. It's a bullying form of reality, like the model rooms in the furniture department of Bloomingdale's.”

Kurt Vonnegut (1922–2007) American writer

"Preface"
Between Time and Timbuktu (1972)

“We don't deliberately desire to scare anybody - we design our creatures to fit in harmony with the story and, of course, our forte is the grotesque. That's why our films were classified so many times as horror films, which they weren't. I would call a war film a horror film because in those you see guts split and people being slaughtered, but our films deal with fantasy and are more theatrical than realistic.”

Ray Harryhausen (1920–2013) American animator

Harryhausen on Horror

“Pornography, it seems to me, is no different from war films or propaganda films in that it tries to make the visceral, horrific, or transgressive elements of life consumable. Propaganda is far more pornographic than a home video of two people fucking.”

Michael Haneke (1942) Austrian film director and screenwriter

[Christopher Sharrett, http://www.kinoeye.org/04/01/interview01.php, Austrian film: Michael Haneke interviewed, Kinoeye, 20 September 2011]

“One thing I can say is either to look at films very carefully, watch a lot of films, or don't see any films at all. Just imagine!”

Masahiro Shinoda (1931) Japanese film director and screenwriter

Source: The Movie Experience: Conversation with actress Shima Iwashita and director Masahiro Shinoda/Advice to Students http://globetrotter.berkeley.edu/conversations/Shinoda_Iwashita/shinoda_iwashita5.html (February 27, 1999)

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