“I recommend [the students] that you should work actively at the Hermitage and study the artistic structures of Rubens, Rembrandt, Titian, Watteau, Poussin, and other painters, even Chardin, where he is an artist. Study very closely their dabbing manner of execution and try to copy a small piece of canvas, just one square inch.”

— Kazimir Malevich

Quote in a letter of Malevich to his student Yudin, summer of 1924; as quoted in Marc Chagall – the Russian years 1906 – 1922, ed. By Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 66
1921 - 1930

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Kazimir Malevich31

Russian and Soviet artist of polish descent 1879–1935

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“Before the blank canvas, the unrealized work, completely in the artist’s head, must seem to him equal to the greatest. To say that which has never been said – is the reason for all artistic work. But only outside of the work should the artist worthily get down on his knees before the great artists of the past... Rembrandt in our days would be Rembrandt again, because the work of the master is his self. But in order to be Rembrandt in our days, he would have used new ways that would give a new culture.”

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“I always tell the younger film-makers and students: Do it like the painters used to…Study the old masters. Enrich your palette. Expand the canvas. There's always so much more to learn.”

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“Then make those studies outside. With the utmost simplicity you try to get rid of all the so-called manners, and try in one word to follow nature with feeling, but without thinking about the works of others.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

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“And if my heart was a canvas, every square inch of it would be painted over with you.”

Cassandra Clare book Lady Midnight

Variant: These pictures are my heart. And if my heart was a canvas, every square inch of it would be painted over with you.
Source: Lady Midnight

“He Titian is the least mannered and consequently the most varied of artists. Mannered talents have but one bias, one usage only. They are more apt to follow the impulse of the hand than to control it. Those that are less mannered must be more varied, for they continually respond to genuine emotion.”

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“I took down my portfolio, to select a drawing to copy in oil. He had never seen my works before, and appeared astonished as his eyes ranged over the sheets. He expressed the warmest admiration, and said, "How hopeless must be the task of my giving any instruction to one who can draw like this?" I pointed out to him that nature is the great study for the artist, and assured him that the reason why my works pleased him was because they are all exact copies of the works of God, — who is the great Architect and perfect Artist; and impressed on his mind this fact, that nature indifferently copied is far superior to the best idealities.”

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Kazimir Malevich31

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