" Do both science and faith produce truth? http://whyevolutionistrue.wordpress.com/2012/08/11/do-both-science-and-faith-produce-truth/" August 11, 2012
“One cringes to hear scientists cooing over the universe or any part thereof like schoolgirls over-heated by their first crush. From the studies of Krafft-Ebbing onward, we know that it is possible to become excited about anything—from shins to shoehorns. But it would be nice if just one of these gushing eggheads would step back and, as a concession to objectivity, speak the truth: THERE IS NOTHING INNATELY IMPRESSIVE ABOUT THE UNIVERSE OR ANYTHING IN IT.”
The Conspiracy Against the Human Race: A Contrivance of Horror (2010)
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Thomas Ligotti 37
American horror author 1953Related quotes
Speech as Home Secretary on the UK and European Union https://www.gov.uk/government/speeches/home-secretarys-speech-on-the-uk-eu-and-our-place-in-the-world (25 April 2016)
Source: The Benefactor (1963), Ch. 1, p. 1, Farrar, Straus and Giroux ISBN 0-312-42012-9
https://www.newyorker.com/news/q-and-a/the-contrarian-coronavirus-theory-that-informed-the-trump-administration
As reprinted in Ayn Rand, The Virtue of Selfishness (1964; 2014 ebook), ISBN 978-1-101-13722-2, p. 44 https://books.google.com/books?id=d1GqjIhRejMC&pg=PT44.
"Mental Health versus Mysticism and Self-Sacrifice" (1963)
An Interview by Sheena McDonald (1995)
Interview for Press Association (3 May 1989) http://www.margaretthatcher.org/document/107427
Third term as Prime Minister
As quoted in Debussy (1989) by Paul Holmes, p. 36
Context: Music would take over at the point at which words become powerless, with the one and only object of expressing that which nothing but music could express. For this, I need a text by a poet who, resorting to discreet suggestion rather than full statement, will enable me to graft my dream upon his dream — who will give me plain human beings in a setting belonging to no particular period or country. … Then I do not wish my music to drown the words, nor to delay the course of the action. I want no purely musical developments which are not called for inevitably by the text. In opera there is always too much singing. Music should be as swift and mobile as the words themselves.