“I feel like I was particularly impressed by Richard Corben's work. But in general I would not say the underground made that big of an impression except for Corben… His science-fiction stories, those almost primitive black and white comics he did back then. I was very struck by the visceral punch they had, by the unusual artistic point of view. And also by the unabashed exaggeration. It's as if you wanted a woman to have big breasts, you drew it. There was something just so joyously excessive and erotic about his stuff, that I just ate it up.|Frank Miller }}”

— Richard Corben

Adopted from Wikiquote. Last update June 3, 2021. History

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Richard Corben 5

American illustrator 1940

Richard Corben (1940) American illustrator

[Garriock, P., Masters of Comic Book Art, Aurum Press, London, 1978, 56, 978-0-905664-05-7]</ref>}}

“Richard Corben, stands among us like an extraterrestrial peak. He has sat in his throne for a long time, above the moving and multi-coloured field of world comics, like an effigy of the leader, a strange monolith, a sublime visitor, a solitary enigma.”

Richard Corben (1940) American illustrator

Moebius}}
Source: Corben, Richard; Moebius (preface) (2001). Den La Quete, tome 2. Toth. ISBN 978-84-85138-21-0.

“As far as transience is concerned... You see the whole story in those shoes, that's why I paint them so accurate. The physical attitude; crooked legs, a lump. Those shoes were talking to me, and then I thought: I can see that you were so and so big, but did you also had a wife? Children? What were you doing? And what really mattered to me is my own place between them. Between those stories, that mystery. That pitch-black background [in Jopie's paintings, till c.1979-80] - I had found it. A cry for attention. Those pants, that shirt, that background, that was: here I am. But then it become mannerism. So I carried on realistically but avoiding the black background at all costs. It is as Rutger Kopland says: Whoever found it did not look well. Now I want to paint people like this, like they are made of colored mud. Color spiritualizes.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Wat de vergankelijkheid betreft.. .Je ziet het hele verhaal in die schoenen, daarom schilder ik ze zo scherp. De lichamelijke houding; kromme poten, een knobbel. Die schoenen praatten tegen me, en dan dacht ik: ik kan zien dat je zo en zo groot was, maar had je ook een vrouw? Kinderen? Wat deed je? En waar het me in wezen dan om ging is mijn plekkie daartussen. Tussen die verhalen, dat mysterie. Die pikzwarte achtergrond [in zijn schilderijen, tot c. 1979-80]; ik had het gevonden. Een schreeuw om aandacht. Die broek, dat hemd, die achtergrond, dat was: hier ben ik. Maar dan word je een maniërist. Dus ik ben realistisch doorgegaan, maar koste wat het kost die zwarte achtergrond vermijdend. Het is zoals nl:Rutger Kopland zegt: Wie het gevonden heeft, heeft niet goed gezocht. Nu wil ik de mensen zo schilderen, als zijn ze van gekleurde modder. De kleur die vergeestelijkt.
Mens & Gevoelens: Jopie Huisman', 1993

“I feel like I realized that power after I came out, after the #MeToo movement, and that was kind of scary. But it’s like, wow, my presence is very big in gymnastics but also online, just in the world in general. So I have to be a bit careful about what I say.”

Simone Biles (1997) American gymnast

"Simone Biles and the Weight of Perfection" in The New York Times (24 July 2021) https://www.nytimes.com/2021/07/24/sports/olympics/simone-biles-gymnastics.html

“Did you know that I went to London to see Whistler and that I spent about twelve days, very impressed by London and also by Whistler, who is a great artist; moreover, he could not have been more charming to me, and has invited me to exhibit at his show.”

Claude Monet (1840–1926) French impressionist painter

Quote in a letter to art-critic Theodore Duret (13 August 1887, L. 794); as cited in: Katharine Jordan Lochnan, ‎Luce Abélès, ‎James McNeill Whistler (2004), Turner, Whistler, Monet, p. 179
1870 - 1890

“If I arrived in Hollywood today, I would keep reminding myself not to try to make a big impression.”

Irene Dunne (1898–1990) American actress

If You Want Success (Screenland Interview) (1961)

“But I've noticed something with other artists who do use the whole range of forms of colours and black - in Albers, for instance, who experiments with yellow, red, blue, the whole scale. Of course I love his colour paintings, but when I see a black-and-white such as 'The Homage to a Black and White Square' [ Josef Albers painted more versions], I like that best, you know. I think it has something to do with deciding just exactly what you really like best. There is always that wonderful element of doubt. I like the black painters really, even if they did work in color.... Velasquez.... also Tintoretto, and Rembrandt... Goya..”

Franz Kline (1910–1962) American painter

Quote of Kline in an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in 'Living Arts', Spring 1963; as cited in Interviews with American Artists, David Sylvester; Chatto & Windus, London 2001, pp. 61-62
1960's

“It's really weird but my parents used to tell me I could do anything I wanted to. I used to say, 'Well, what if I want to be an astronaut and go to the moon?" and my dad used to say, 'If you really want to you can'. I used to think he was talking absolute rubbish, particularly when I was 21 and he was still saying that. But in a way it really stuck with me cos my dad ended up doing exactly what he wanted to do. To an outside point of view he's totally conformed, he's had a family and four kids but he's only ever done things that made him genuinely happy. "He jacked in his job cos it made him unhappy and he didn't want to compromise his entire life just for the sake of carrying it through. It's very admirable, that quality, and I think it's very rare in people. Most people feel so conditioned, so oppressed by everything that goes on around them that they just give in. You have to refuse to give in.”

Robert Smith (musician) (1959) English singer, songwriter and musician

Melody Maker, March 7th 1992

“He closes his hand around mine and I hold on. I like his hand. It's big and holds easy but sure. It's the kind of hold that says, I got you if you want me, but I'll let you go if you feel like running for a while.”

Karen Marie Moning (1964) author

Source: Iced

“Nature then, is just nature. I admit I am very impressed with it. The attitude that nature is chaotic and that the artist puts order into it is a very absurd point of view, I think. All that we can do for is to put some order in ourselves. When a man ploughs his field at the right time, it means just that.”

Willem de Kooning (1904–1997) Dutch painter

De Kooning's lecture Trans/formation, at Studio 35, 1950.
1950's

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