“Put a lot of paint & a wooden ball or other object on a board. Push to the other end of the board. Use this in a painting.”

—  Jasper Johns

ruler on board.
Book A (sketchbook), p 52, c 1964: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 58
1960s

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Put a lot of paint & a wooden ball or other object on a board. Push to the other end of the board. Use this in a painti…" by Jasper Johns?
Jasper Johns photo
Jasper Johns 34
American artist 1930

Related quotes

Chinmayananda Saraswati photo

“To give without sympathy is to build a temple without the idol and is as futile as painting a picture with black ink on a black-board.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Dietrich Bonhoeffer photo

“If you board the wrong train, it is no use running along the corridor in the other direction.”

Dietrich Bonhoeffer (1906–1945) German Lutheran pastor, theologian, dissident anti-Nazi

“I frequently leave areas of raw, unprimed canvas unpainted [as in her painting 'Chairman of the Board', 1971].... That 'negative' space has just as active a role as the 'positive' painted space. The negative spaces maintain shapes of their own and are not empty.”

Helen Frankenthaler (1928–2011) American artist

Quote from 'The collection', MOMA, online 1 http://www.moma.org/collection/object.php?object_id=80139
1990s - 2000s

John Ruskin photo

“In old times, men used their powers of painting to show the objects of faith; in later times, they used the objects of faith that they might show their powers of painting.”

John Ruskin book The Stones of Venice

Volume II, chapter IV, section 103.
The Stones of Venice (1853)

Edward Hopper photo

“If this end is unattainable, so, it can be said, is perfection in any other ideal of painting or in any other of man's activities.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1911 - 1940, Notes on Painting - Edward Hopper (1933)

Benvenuto Cellini photo

“Painting, in fact, is nothing else much than a tree, a man, or any other object, reflected in the water. The distinction between sculpture and painting, is as great as between the shadow and the substance.”

Benvenuto Cellini (1500–1571) Florentine sculptor and goldsmith

La Pittura non è altro, che o albero o uomo o altra cosa, che si specchi in un fonte. La differenza, che è dalla Scultura alla Pittura è tanta, quanto è dalla ombra e la cosa, che fa l'ombra.
Letter to Benedetto Varchi, January 28, 1546, cited from G. P. Carpani (ed.) Vita di Benvenuto Cellini (Milano: Nicolo Bettoni, 1821) vol. 3, p. 185; translation from Thomas Nugent (trans.) The Life of Benvenuto Cellini, a Florentine Artist (London: Hunt and Clarke, 1828) vol. 2, p. 265.

David Mamet photo

“Get the chalk! Get the fucking chalk! Put me on the board! Put me on the Cadillac board! Williamson! Pick up the fucking chalk! Hey, Rick I closed em! I closed the cocksucker!”

David Mamet Glengarry Glen Ross

Glengarry Glen Ross (1993), Shelley Levene

“Object in/ and space – the first impulse may be to give the object – a position – to place the object. (The object had a position to begin with). Next – to change the position of the object. – Rauschenberg's early sculptures – A board with some rocks on it. The rocks can be anywhere on the board. - Cage's Japanese rock garden – The rocks can be anywhere (within the garden)..”

Jasper Johns (1930) American artist

Book C (sketchbook), c. 1970; as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 70
1970s

Jean Dubuffet photo

“The technique used heavy, spiky pastes made of nothing other than ordinary oil paint, used thick and mixed with sand and gravel. I some cases – but these were the exception – a few miscellaneous objects were stuck into the wet paint, such as bits of string or little pieces of glass or mirror.”

Jean Dubuffet book Prospectus et tous écrits suivants

quote by Dubuffet on his technique, he used in his series Hautes Pâtes, exhibited in 1946
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 428

“There is imagery. Symbolism is a difficult idea. I'm not a symbolist. In other words, these are painting experiences. I don't decide in advance that am going to paint a definite experience, but in the act of painting, it becomes a genuine experience for me. It's not symbolism any more than it's calligraphy. I'm not painting bridge constructions, skyscrapers or laundry tickets.... I don't paint a given object – a figure or a table; I paint an organization that becomes a painting.... it's not these things that get me started on a painting.”

Franz Kline (1910–1962) American painter

1958
1960's, Talks with Seventeen Artists, 1962

Related topics