“You misunderstood my words when I said that Michelangelo was a stupid artist... Because I have drunk from another source and a new and marvelous thirst burns my lips – how can I still believe in such artists?! I know what you are thinking when you ask me: 'isn't David a superman? This is how I used to feel, this is what I used to think. The majority of the world's great spirits thought it so.... but now a new air has entered my soul, a new song has reached my ears and the whole world appears totally changed – the autumn afternoon has arrived, the long shadows, the clear air, the serene sky –, in a word: Zarathustra has arrived, do you understand??.... It is only with Nietzsche that I can say I have begun a real life.”

— Giorgio de Chirico

Quote from De Chirico's letter to Mr. Fritz Gartz, Florence, undated, c. 5 Jan. 1911; from LETTERS BY GIORGIO DE CHIRICO, GEMMA DE CHIRICO AND ALBERTO DE CHIRICO TO FRITZ GARTZ, MILAN-FLORENCE, 1908-1911 http://www.fondazionedechirico.org/wp-content/uploads/559-567Metafisica7_8.pdf, p. 564 <br class="br">1908 - 1920

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Giorgio de Chirico23

Italian artist 1888–1978

Jonathan Larson (1960–1996) American composer and playwright

Rent (1996)

“Well, I was interested in a subjective image [in the 1940's].... stemming perhaps from the subconscious. Because the external world as far as I was concerned had been totally explored in painting and there was a whole ripe new area in the inner world that we all have. Now in order to externalise this you have to use visual means and so the visual means may have some relation tot the external world. However what I was trying to focus on was what I experienced within my mind, within my feelings, rather than on the external world which I can see.”

Adolph Gottlieb (1903–1974) American artist

Source: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.

“.. I am not going to New York, I am leaving Paris. That's quite different. Long before the war [World War 1. ] I already had a distaste for the 'artistic life' I was involved in. – It's quite the opposite of what I'm looking for. – And so I tried, through the Library, to escape from artists somewhat. Then, with the war, my incompatibility with this milieu grew. I wanted to go away at all costs. Where to? My only option was New York where I knew you [ Walter Pach, artist and friend of Duchamp] and where I hope to be able to escape leading the artistic life, if needs be through a job which will keep me very busy. I ask you to keep all this from my brothers [all his brothers were artists as well] because I know my leaving will be very painful for them.”

Marcel Duchamp (1887–1968) French painter and sculptor

the same goes for my father and sisters.
Quote in Duchamp's letter to Walter Pach, Paris 27 April 1915; as quoted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 p. 157
1915 - 1925

“Every seven years or so I look around me and I want to look at the society and I want to try and be everyone I'm seeing in the world right now. […] And I've done this all my life. I realized I used to do this in my mother's bedroom when I was 6. I used to be everyone in my village and everyone at school and everyone in the news, and I'm still doing that same show. I'm now 56. I think I can do it in my 80s. I'll just, you know, impersonate everyone around me then in the nursing home.”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

Quoted by NPR http://www.npr.org/2016/10/28/499796182/british-comedian-tracey-ullman-brings-celebrity-impersonations-to-hbo in 2016, on what what drives her to do impersonations

“Most of my news, I get from the radio news stations. One of the stations' advertising lines is "Give us 22 minutes, we’ll give you the world." In 22 minutes, they just have time for the headlines, so they can only really tell you what happened — which, by the way, is the news. They tell you how many people were killed in Iraq today, but they don’t then bring on some Republican senator to explain to you how that’s good. Or, on the contrary, they don’t bring in a bunch of Democrats to tell you why it’s bad. They just tell you what happened. That’s the news. I am capable of analyzing my own news. What makes these people qualified to analyze my news for me? No matter what side they’re on, I never agree with them.”

Fran Lebowitz (1950) author and public speaker from the United States

Ruminator Magazine interview with Susannah McNeely (August/September 2005).

“[on becoming an artist] It is my profession, yes [ to be an artist] but a calling.. that a little bit pathetic, a little bit bombastic. I think it was much more natural... I Thought – when I was a child – the only method to be not in the world but outside of the world is to be an artist. I feel me outside, yes..”

Anselm Kiefer (1945) German painter and sculptor

n.p.
Tim Marlow joins Anselm Kiefer to discuss his work' - 2005

“I work a lot and I think a lot. I really want to try to paint on glass.. Please will you ask him [mr. architect Taut ] if there are any transparent colors, which one can use to paint on the glass directly... I want to dispose of a new technique in which the artist can paint on the glass directly instead of canvas. When one wants to reach colors spiritually-bright, then a time will come that oil-paint and canvas are no longer suitable... So, if you have time, please ask Mr. Taut if he understands my view and maybe he knows the ways how I can follow my direction.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:)Ich arbeite sehr viel und denke sehr viel. Ich möchte so gern versuchen, auf Glas zu mahlen. .. ..bitte fragen sie ihn dann [Herr Taut] ob es transparante Farbe gibt, womit man gleich auf Glas malen kann. .. ..ich möchte eine neue Technik haben, dass der Künstler so direkt das Glas verwenden kann statt Leinwand. Wenn man die Farben leuchtend geistlich haben will, dann wird es eine Zeit kommen, dass Oelfarben und Leinwand sich dafür nicht mehr eignen.. ..So wenn Sie Zeit haben, fragen Sie dann Herrn Taut ob er meine Idee versteht und vielieich den Weg kennt, den ik gehen müsse.
in a letter to Herwarth Walden, 11 Nov. 1914; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 19
It was not until April 1918 that Jacoba wrote Walden she had decided to submit a series of designs for stained glass windows for the upcoming 'Sturm' exhibition - in April 1919 she sent him ten stained-glass windows, 'Nrs. 12-26'
1910's

“I am a big Beatles fan. And, you know, unbeknownst to anyone, I used to be one. But I have no problems of putting titles and lines from other songs in my songs, because they're great lines and great titles. And some of them I even thought of. You know, I think this is the third time I've used "It Don't Come Easy." I used that on "Time Takes Time," I think, as well. So it's just a great line that, you know, expresses so much. So I just put it in again.”

Ringo Starr (1940) British musician, former member of the Beatles

Ringo Rama promotional interview with Jody Denberg (July 2003) http://abbeyrd.best.vwh.net/jodyringorama.html

“…as you'll know, the word 'fuck' sort of is used quite a lot in my house. Now, that's not to say, I think to say 'fuck this' or 'fuck you' a lot more, so it should be entered into the English language, because it has a lot more impact when you say, 'I fucking hate this thing.”

Ozzy Osbourne (1948) English heavy metal vocalist and songwriter

MTV.com, 2002

“I have met a lot and they’ve been varied. The experiences are extremely varied. Some emotional and with great depth and other ones just genuine gratitude, you know, and thanks. It’s all very humbling to me and I take it very seriously and I feel it quite to my core so but as I said they’re very different and they all combine that overall same feeling of we’re all connected on way or another, you know. The fan base is responsible for my reprisal and that’s something that I just cherish. There’s a connection because it’s something that I artistically … I look at this as an actor and I have to use the word artistic because it’s a creative process. It sounds a little fishy but still, they reacted to my creative concept and we’re bonded because of it. It was one of those wonderful things in life. You click and I certainly feel that with people that feel an affection for Prime.”

Peter Cullen

Exclusive Interview with Peter Cullen http://collider.com/exclusive-interview-with-peter-cullen/ (June 9, 2007)

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