“Imagine that each of these layers of existence are like patterns. They're patterns within patterns within patterns within patterns, and there's a way of making all that harmonious. That's what music models. That's why music is so meaningful. You take a beautiful orchestral composition, and they're doing different things are different levels. But they all flow together harmoniously, and you're right in the middle of that as a listener. And it fills you almost with a sense of religious awe, even if you're a punk rock nihilist. The reason for that is because the music is modeling the manner of Being that's harmonious. It's the proper way to exist. Religious writings, in the deepest sense, are guidelines to that mode of Being. They're not true like scientific knowledge is true. They're hyper true, or meta-true. It's like this: if you take the most true things about your life, and then you take the most true things about ten other people's lives, and then we amalgamate them into a single figure. That would be like a literary hero. And then we take a thousands literary heroes and we extract out from them what makes the most heroic person - that's a religious deity. That's what Christ is. He's a meta-hero. And that sits at the bottom of Western Civilization. Christ's archetypal mode of Being is True Speech. That's the fundamental idea of Western Civilization, and it's right.”

Pattern Integrity 505.201 http://www.rwgrayprojects.com/synergetics/s05/p0400.html#505 <br class="br">1970s, Synergetics: Explorations in the Geometry of Thinking (1975), &quot;Synergy&quot; onwards

Source: Glory Season (1993), Chapter 16 (p. 281)

Source: Psychic Politics: An Aspect Psychology Book (1976), p. 166

A Mathematician's Apology (1941)

Source: The Sacred Depths of Nature (1998), p. 59
Context: Patterns of gene expression are to organisms as melodies and harmonies are to sonatas. It's all about which sets of proteins appear in a cell at the same time (the chords) and which sets come before or after other sets (the themes) and at what rate they appear (the tempos) and how they modulate one another (the developments and transitions). When these patterns go awry we may see malignancy. When they change by mutation we can get new kinds of organisms. When they work, we get a creature.

Source: 1940's, Beyond the Aesthetics (1946), pp. 39-40

“Old Hundredth” p. 162 (originally published in New Worlds Science Fiction #100, November 1960)
Short fiction, Who Can Replace a Man? (1965)
Context: When the first flint, the first shell, was shaped into a weapon, that action shaped man. As he molded and complicated his tools, so they molded and complicated him. He became the first scientific animal. And at last, via information theory and great computers, he gained knowledge of all his parts. He formed the Laws of Integration, which reveal all beings as part of a pattern and show them their part in the pattern. There is only the pattern; the pattern is all the universe, creator and created.

Man On His Nature (1942), p. 178
Context: In the great head-end which has been mostly darkness springs up myriads of twinkling stationary lights and myriads of trains of moving lights of many different directions. It is as though activity from one of those local places which continued restless in the darkened main-mass suddenly spread far and wide and invaded all. The great topmost sheet of the mass, that where hardly a light had twinkled or moved, becomes now a sparkling field of rhythmic flashing points with trains of traveling sparks hurrying hither and thither. The brain is waking and with it the mind is returning. It is as if the Milky Way entered upon some cosmic dance. Swiftly the head mass becomes an enchanted loom where millions of flashing shuttles weave a dissolving pattern, always a meaningful pattern though never an abiding one; a shifting harmony of subpatterns. Now as the waking body rouses, subpatterns of this great harmony of activity stretch down into the unlit tracks of the stalk-piece of the scheme. Strings of flashing and travelling sparks engage the lengths of it. This means that the body is up and rises to meet its waking day.

The Dover Math and Science Newsletter http://www.doverpublications.com/mathsci/0516/d/ May 16, 2011