“.. crushed by the strength of this Art [the old Egyptian art]... I fought against it but it conquered, it is surely the greatest Art the past has left us.... how are my feeble hands to ever paint the effect on me.”

— Mary Cassatt

Quote of Cassatt, after her trip to Egypt, 1910; as cited by Nancy Mowll Mathews, in Mary Cassatt: A Life, Yale University Press, New Haven, 1998, p. 291 - ISBN 978-0-585-36794-1

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Mary Cassatt 5

American painter and printmaker 1844–1926

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“I also often hear the word 'evolution'. Repeatedly I am asked to explain how my painting evolved. To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was. Art does not evolve by itself, the ideas of people change and with them their mode of expression.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

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“The most perfect art was Greek art. Raphael is the greatest of all masters in painting.”

Emil Nolde (1867–1956) German artist

Such were the doctrines of every art teacher only twenty or thirty years ago.
1.
1900 - 1920, On Primitive Art – Emil Nolde, 1912

“For me, art has neither past nor future. All I have ever made was for the present.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

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Attributed from posthumous publications

“I strive to make my art bear the same relation to painting that polyphony bears to music. Illustrative music is a thing of the past: it has become abstract and purely aesthetic, dependent for its effect upon rhythm and form.”

Stanton Macdonald-Wright (1890–1973) American artist

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“Self-consciousness is the enemy of all art, be it acting, writing, painting, or living itself, which is the greatest art of all.”

Ray Bradbury (1920–2012) American writer

“I have received a commission to make a poster against war. That is a task that makes me happy. Some may say a thousand times that this is not pure art…. but as long as I can work, I want to be effective with my art.”

Käthe Kollwitz (1867–1945) German artist

Letters of Friendship and Acquaintance [Briefe der Freundschaft und Begegnungen] (1966), edited by Hans Kollwitz, p. 95; cited in Käthe Kollwitz: Woman and Artist (1976) by Martha Kearns, p. 172.
Other Quotes

“The most perfect art was Greek art. Raphael is the greatest of all masters in painting'. Such were the doctrines of every art teacher only twenty or thirty years ago.”

Emil Nolde (1867–1956) German artist

1.
1900 - 1920, On Primitive Art – Emil Nolde, 1912

“For me personally, the greatest art to date has been created in New York and the most uptight and conventional art in Berlin. Obviously, I am an exception to this rule!”

Isa Genzken (1948) German sculptor

living and working in Berlin
after 2010, Isa Genzken, the artist who doesn't do interviews' (2014)

“They speak of naturalism in opposition to modern painting. I would like to know if anyone has ever seen a natural work of art. Nature and art, being two different things, cannot be the same thing. Through art we express our conception of what nature is not. Velasquez left us his idea of the people of his epoch. Undoubtedly they were different from what he painted them, but we cannot conceive a Philip IV in any other way than the one Velasquez painted…”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Paris 1923
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 312
Quotes, 1920's

“Art is not to be looked at. Art is looking at us. What is art to others is not necessarily art to me. Nor for the same reason and vice versa. What was art to me or was not some time ago might have lost that value or gained it in the meantime and maybe again though art is not an object but experience. To be able to perceive it we need to be receptive. Therefore art is there where art meets us now. The content of art is visual formulation of our relation to life. The measure of art, the ratio of effort to effect, the aim of art revelation and evocation of vision.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

“.. crushed by the strength of this Art [the old Egyptian art]... I fought against it but it conquered, it is surely the greatest Art the past has left us.... how are my feeble hands to ever paint the effect on me.”

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Mary Cassatt 5

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