“I want to know that I've done everything I could every day I think of all those people out there who are depending on us. I think about it. It does make me feel we need more work, more help. Get those spectators on the playing field, or out of the arena. Really, that is how I feel about it. I do what I can, and I do it the way I do everything… there's nothing part of the way for me.”

“I have attempted to develop my thinking in such a way that the work I've done is not me – not to confuse my feelings with what I produced. I didn't want my work to be an exposure of my feelings. Abstract Expressionism was so lively – personal identity and painting were more or less the same, and I tried to operate the same way. But I found I couldn't do anything that would be identical with my feelings. So I worked in such a way that I could say that it's not me. That accounts for the separation.”

“I do feel that I have to use my voice for those that don’t have one. I have to do the best I can in my own work to represent my culture, represent the women of my country, of Latin America. What we stand for. What we’re made of. I feel like there is a part of me that represents a minority in the US, a minority around the world. People who struggle, people who want to succeed with drive and ambition. So, people who want to try – yeah, I do feel in a way like an ambassador, for all of those.”

“Do you know what I think about crying? I think some people have to learn to do it. But once you learn, once you know how to really cry, there's nothing quite like it. I feel sorry for those who don't know the trick. It's like whistling or singing.”

“But do we know how to make love stay?'
I can't even think about it. The best I can do is play it day by day.”

“But knowing what I don’t want to do doesn’t help me figure out what I do want to do. I could do just about anything if somebody made me. But I don’t have an image of the one thing I really want to do. That’s my problem now. I can’t find the image.”

“I don't work that way. Part of it has to do with an idea of beauty. Sunsets, flowers, landscapes: these kinds of things don't move me to do anything. I just want to leave them alone. My work comes out of being frustrated about the human condition. And about how people refuse to understand other people. And about how people can be cruel to each other. It’s not that I think I can change that, but it’s such a frustrating part of human history”

“Do you know what I feel about you, Devin? About us?… Dazzled, you dazzle me. You make me feel things, and want things I never knew I could have. -Cassie”

“Everything has changed. I cannot be used anymore. Those days are over. I know too much. What I do now, I do for me.”

“I never even think about the physicality of roles, until honestly I get the gig and I think, 'OK, now what do I have to do in this one?' Like, I approach it thinking more about the character -- do I respond to it? Is it something I think I can play? Does it seem like it'll be fun?”