“Mr. Richard Corben… a genuine giant of his chosen medium.|Alan Moore”
[Hodgson, William, The House on the Borderland, Vertigo / DC Comics, 2000, 978-1-56389-545-6]</ref>}}
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Richard Corben 5
American illustrator 1940Related quotes

“It may be asked, if He, as appears, has chosen to employ inferior organisms as a generative medium”
Source: Vestiges of the Natural History of Creation (1844), p. 235
Context: It may be asked, if He, as appears, has chosen to employ inferior organisms as a generative medium for the production of higher ones, even including ourselves, what right have we, his humble creatures, to find fault? There is, also, in this prejudice, an element of unkindliness towards the lower animals, which is utterly out of place. These creatures are all of them part products of the Almighty Conception, as well as ourselves.... Let us regard them in a proper spirit, as parts of the grand plan, instead of contemplating them in the light of frivolous prejudices, and we shall be altogether at a loss to see how there should be any degradation in the idea of our race having been genealogically connected with them.

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 29
Context: Lightning hits!
Quality! Virtue! Dharma! That is what the Sophists were teaching! Not ethical relativism. Not pristine "virtue." But aretê. Excellence. Dharma! Before the Church of Reason. Before substance. Before form. Before mind and matter. Before dialectic itself. Quality had been absolute. Those first teachers of the Western world were teaching Quality, and the medium they had chosen was that of rhetoric.

Opening, The Network is the Message, p. 2
The Internet Galaxy - Reflections on the Internet, Business, and Society (2001)

posthumous
Source: 'Edward Hopper', Goodrich; p. 152; as quoted in "Edward Hopper", Gail Levin, Bonfini Press, Switzerland 1984, p. 52

Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 79

of the estate Raaphorst, then owned by Abraham Jacob Twent, who wanted his estate immortalized in two large paintings
translation from original Dutch: Fons Heijnsbroek
(original Dutch, citaat van Schelfhout, uit zijn brief:) Vrolijk en opgeruimt, ben ik weder met reuze schreden begonen aan het tweede schilderij van de Heer Twent. [van het Wassenaarse landgoed Raaphorst, toen in bezit van Abraham Jacob Twent, die het landgoed in twee grote schilderijen wilde laten vereeuwigen]
Quote from Schelfhout, in a letter (with sketched figures) to an unknown friend, 21 Feb. 1823; as cited in Andreas Schelfhout - landschapschilder in Den Haag, Cyp Quarles van Ufford, Primavera Pers, (ISBN 978-90-5997-066-3), Leiden, p. 74

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

“The giant was hairy, the giant was horrid,
He had one eye in the middle of his forehead.”
"Adventures of Isabel" http://www.poemhunter.com/poem/adventures-of-isabel/

(original Dutch, citaat van Schelfhout, uit zijn brief:) Vrolijk en opgeruimt, ben ik weder met reuze schreden begonen aan het tweede schilderij van de Heer Twent. [van het Wassenaarse landgoed Raaphorst, toen in bezit van Abraham Jacob Twent, die het landgoed in twee grote schilderijen wilde laten vereeuwigen]
Quote from Schelfhout, in a letter (with sketched figures) to an unknown friend, 21 Feb. 1823; as cited in Andreas Schelfhout - landschapschilder in Den Haag, Cyp Quarles van Ufford, Primavera Pers, (ISBN 978-90-5997-066-3), Leiden, p. 74