“I could trace own EST brainwave to a flight back from a trip to Japan. But, of course, great ideas are often simultaneously conceived by several people who have responded in a similar way to the climate of thinking, and it can be hard to pin down when and precisely how a flash of inspiration is born. Kaplan had taught me that good ideas are a dime of dozen for a smart person, and the only thing that distinguishes good from great is in how an idea is executed—how it becomes reality. Scientific history is littered with stories of one person having an idea but not following through on it only to see another have a similar inspiration and then prove it to be valid.”

A Life Decoded by Craig Venter, p. 129 http://books.google.com/books/about/A_Life_Decoded.html?id=jx9JsHry1PgC&pg=PA129

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Craig Venter5

American biochemist 1946

Greg Craven American teacher and writer

Source: What's the Worst That Could Happen?: A Rational Response to the Climate Change Debate (2009), Chapter 1 "The Decision Grid" (p. 31)

“The idea of where does an idea come from and who should get credit for it is pretty soft. But I think people are pretty good at dealing with that softness and recognizing contribution when they know the people involved. With collective ownership, we create a social situation where you can get to know a person by how they spin their intellect into source code statements.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

A Conversation with Ward Cunningham (2003), Collective Ownership of Code and Text

“There is a train track in the history of art that goes way back to Mesopotamia. It skips the whole Orient, The Mayas, And American Indians. Duchamp is on it. Cézanne is on it. Picasso and the Cubists are on it; Giacometti, Piet Mondrian, and so many... I have some feeling about all these people – millions of them – on this enormous track, a way into history. They had a peculiar way of measuring. They seemed to measure with a length similar to their own height... The idea that the thing that the artist is making can come to know for itself, how high it is, how wide and how deep it is, is a historical one, - a traditional one I think. It comes from man's own image.”

Willem de Kooning (1904–1997) Dutch painter

De Kooning’s lecture Trans/formation at Studio 35, 1950.
1950's

“I got the idea to paint people, in the way I see them. From one face I take to my own idea some very characteristic features of it and then I make of the whole a picture in colors and lines, in the way how I meet that person. The whole thing becomes not at all a portrait in the usual sense... I have tried to make types, but will built in more and more personal qualities and all that kind of things... Everything will be figured out fully abstract of course, it is just a personal feeling and no system at all.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Meine Idee ist es die Menschen zu malen, wie ich sie sehe. Ich nehme aus einem Gesicht einige meiner Ansicht nach am meisten sprechende Züge und ich mache dann vom ganzen ein Bild in den Farben und Linien, wie die Person mir entgegentritt. Das Ganze ist gar kein Porträt im gewöhnlichen Sinne.. .Ich habe mich bemüht, jetz noch Typen zu machen und werde mehr und mehr persönliche Eigenschaften und alle mögliche hereinbringen.. .Alles muss man sich natürlich ganz abstrakt denken, es ist ein persönliches Gefühl und gar kein System.
in a letter to Herwarth Walden, 6 Feb. 1918; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 20
1910's

“That was how divorced from the human scale modern warfare had become. You could smash and destroy from unthinkable distances, obliterate planets from beyond their own system and provoke stars into novae from light-years off…and still have no good idea why you were really fighting.”

Iain Banks Culture series

Source: Culture series, Consider Phlebas (1987), Chapter 2 “The Hand of God 137” (p. 32).

“I was just trying to show you,” he went on, “just how insubstantial a ‘common sense’ idea can be when you pin it down. Neither ‘common sense’ nor ‘logic’ can prove anything. Proof comes from experiment, or to put it another way, from experience, and from nothing else.”

Robert A. Heinlein book Rocket Ship Galileo

Source: Rocket Ship Galileo (1947), Chapter 10, “The Method of Science”, p. 105

“It seems that Locke had in mind rival goods when he developed his theory (if one consumes it, others can’t). What happens to non-rival goods like ideas? George Bernard Shaw famously said that if you and I have an apple and we exchange apples, you would only have one apple but if you and I have an idea and we exchanged them, we will have two ideas. So, how is it possible to treat ideas as if they were apples i. e. to make them into commodities? It is only through copyright that it is possible to produce scarcity out of ideas and this of course can produce serious benefits for some but not all”

Mattin (1977) Spanish musician

Page 180.
"Anti-Copyright: Why Improvisation and Noise Run Against the Idea of Intellectual Property" (October 2008)

“We were peers, I think. Leo's an incredibly intelligent guy who's been through a great amount of life experience over the course of the last few years. He's very dedicated and I think he had a very good idea of what he wanted to do and how he wanted to do it.”

Leonardo DiCaprio (1974) American actor and film producer

Tom Hanks speaking on the working relationship he has with Leonardo DiCaprio on the set of Catch Me If You Can http://www.bbc.co.uk/films/2003/01/16/tom_hanks_catch_me_if_you_can_interview.shtml
About

“I was astonished at how well he played live. I had no idea he was that good.”

John Mayer (1977) guitarist and singer/songwriter

Eric Clapton, on seeing Mayer perform at the Crossroads Music Festival in 2004. (2005) ( From Cleaveland.com http://www.cleveland.com/entertainment/plaindealer/index.ssf?/base/friday/1128072649185000.xml&coll=2)

“One must know how to enter the ideas of others and how to leave them. One must know how to leave one's own ideas and how to come back to them.”

Joseph Joubert (1754–1824) French moralist and essayist

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Craig Venter5

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