“This period of blue monochrome was the product of my pursuit of the indefinable in painting which that master, Eugène Delacroix [Romantic French painter] was able to indicate even in his day.”

— Yves Klein

In 1957; p. 33
before 1960, "Yves Klein, 1928 – 1962, Selected Writings"

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Yves Klein 33

French artist 1928–1962

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“He (Delacroix) turns David [French painter] upside down. His painting is iridescent. Seeing one Constable [famous English landscape painter, admired by French painters, then] is enough to make him understand all the possibilities of landscape, and he too sets up his easel by the sea... And he has a sense of human being, of life in movement, of warmth. Everything moves, every glistens. The light!... There is more warm light in this interior [probably: Delacroix's 'Woman of Algiers'] of his than in all of Corot's landscapes..”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 196 in: 'What he told me – II. The Louvre'

“One day Eugène Boudin said to me, '.. appreciate the sea, the light, the blue sky'. I took his advice and together we went on long outings during which I painted constantly from nature. This was how I came to understand nature and learned to love it passionately.”

Claude Monet (1840–1926) French impressionist painter

as quoted in Discovering Art, – The life time and work of the World’s greatest Artists, MONET; K.E. Sullivan, Brockhamptonpress, London 2004, p. 10
after Monet's death

“What surprising fellows those French painters are. A Millet, Delacroix, Corot, Troyon, Daubigny, Rousseau, and a Daumier.... Something else about Delacroix - he had a discussion with a friend about the question of working absolutely from nature, and said on that occasion that one should take one's 'studies' from nature - but that the 'actual painting' had to be made 'by heart'. This friend was walking along the boulevard when they had this discussion - which was already fairly heated. When they parted the other man was still not entirely persuaded. After they parted, Delacroix let him stroll on for a bit - then (making a trumpet of his two hands) bellowed after him in the middle of the street - to the consternation of the worthy passers-by:
'By heart! By heart!”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

(Par coeur! Par coeur!)
I can't tell you how much I enjoyed reading this article and some other things about Delacroix..
In his letter to Anthon van Rappard, from Nuenen, The Netherlands, 8 and c. 15 August 1885 - original manuscript, letter 526, at Van Gogh Museum, location Amsterdam - inv. nos. b8390 V/2006, http://vangoghletters.org/vg/letters/let526/letter.html
See for this anecdote, taken from Charles Blanc, Les artistes de mon temps, letter 496, n. 7.
1880s, 1885

“I didn't become a French painter or a European one. I remained an Indian painter through the years. That was always in my heart and I am very glad that I was able to come back here again.”

S. H. Raza (1922–2016) Indian artist

This is a sum of all my experiences: SH Raza

“A fresh river in a beautiful meadow
Imagined in his mind
The good Painter, who would some day paint it”

Jeff VanderMeer book City of Saints and Madmen

"The Transformation of Martin Lake", epigram, p. 130
City of Saints and Madmen (2001–2004)

“The important thing is that Clyff Still – you know his work? – and Rothko, and I – we've changed the nature of painting… I don't mean there aren't any other good painters. Bill [ Willem the Kooning ] is a good painter, but he's a 'French' painter [Pollock meant: a French-abstract style]. I told him so, the last time I saw him after his last show,… all those pictures in his last show start with an image. You can see it even though he's covered it up, or tried to…. Style – that's the French part of it. He has to cover it up with style.. [answering Seldon Rodman's question]”

Jackson Pollock (1912–1956) American artist

In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's

“A painter paints his pictures on canvas. But musicians paint their pictures on silence.”

Leopold Stokowski (1882–1977) British conductor

Addressing an audience at Carnegie Hall, as quoted in The New York Times (11 May 1967); often this is quoted without the humorous final sentence.
Context: A painter paints his pictures on canvas. But musicians paint their pictures on silence. We provide the music, and you provide the silence.

“We are born with the sensibility of a period of civilization. We are not masters of our production; it is imposed upon us.”

Henri Matisse (1869–1954) French artist

As quoted in Abstract Painting, Michel Seuphor, Dell Publishing Co., 1964, p. 9
Posthumous quotes

“A writer should write with his eyes and a painter paint with his ears.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

What Are Masterpieces and Why Are There So Few of Them (1936), Afterword of a later edition

“It is true – is it not – that even Ingres [French classical painter, famous for his line] had to revise – yes, the surface of the painting is smooth, finished and incorruptible as a diamond, but under the accomplished surface are pentimenti – see there at the shoulder, how the line of the black dress was lowered qua fraction and the hand was extended to give greater elegance... Are these not signs of the patient revision that even a genius has to make.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: 1942 - 1948, Arshile Gorky, – Goats on the roof' (2009), p. 358: in: 'A visit to the Metropolitan Museum with Gorky', Ethel Schwabacher, 1947

“This period of blue monochrome was the product of my pursuit of the indefinable in painting which that master, Eugène Delacroix [Romantic French painter] was able to indicate even in his day.”

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Yves Klein 33

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