“My voice in combination with the harp - which, by the way, I use because I've played it my entire life, not to make some statement about the harp - somehow has … coloured people's interpretations of the music and projected an idea of childlike or fairytale quality or innocence. Which sometimes prevents people from listening to the songs the way I would like them to be listened to.”

Sydney Morning Herald, 10 October 2005

Adopted from Wikiquote. Last update June 3, 2021. History

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Do you have more details about the quote "My voice in combination with the harp - which, by the way, I use because I've played it my entire life, not to make som…" by Joanna Newsom?

Joanna Newsom61

American musician 1982

Lisa Moorish (1972) British singer

Source: " A life on the edge http://www.theguardian.com/music/2004/aug/20/popandrock8" at The Guardian, 20 August 2004

“Sweetheart, never listen to what my enemies say. They're very confused people. I know they are because I've spent years making them that way.”

Tamora Pierce book Mastiff

Source: Mastiff

“Through instrumental music, I’m allowed to come up with musical ideas that allow the listener to create their own impression of my song. If you add lyrics about a girl in the song, the listener doesn’t have a choice of what the song is about, it’s told to them. My musical writings allow me to express anything. It’s easier for me to tell a story of something I’ve encountered this way then to verbalize it. And my feelings are explored more in my compositions compared to what I could ever say in a few sentences.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

[Janus, Cicily, Radinsky, Ned, http://newfaceofjazz.com/?page_id=594, New Faces of Jazz: Bradley Joseph, (newfaceofjazz.com), 2010-08-01]

“Oh God, the terrible tyranny of the majority. We all have our harps to play. And it's up to you to know with which ear you'll listen.”

Ray Bradbury book Fahrenheit 451

Source: Fahrenheit 451

“On my Fleischmann Hour from Rochester I went into a "rave" about the Victor record of ["It Must Be True"] as played by Gus Arnheim and his Cocoanut Grove Orchestra. From all reports that drift back to me, and from people that I know in California, Arnheim has the finest dance aggregation on the West Coast, and to my way of thinking, perhaps the finest in the entire world. It may sound like a rather broad statement, but I would be willing to back his organization against any other in any other part of the world. Although I have never seen them perform on the stage to what they have in the way of showmanship, from a pure musical standpoint I feel that they are unexcelled.
Perhaps my great admiration for them is increased by the presence of Bing Crosby, formerly the lead in Paul Whiteman's "Rhythm Boys", who, in my humble opinion, has the finest recording voice to which it has ever been my pleasure to listen. If he doesn't capture all the feminine hearts in America through his records, no one ever will. He has the most unique style of singing I have ever listened to since I used to enjoy the records of Charlie Kaley.”

Rudy Vallée (1901–1986) American singer, actor, bandleader, and entertainer

"Tuneful Topics", Radio Digest, June 1931. https://archive.org/stream/radiodigest2627unse#page/n869/mode/2up

“Most people don’t listen to classical music at all, but to rock-and-roll or hillbilly songs or some album named Music To Listen To Music By…”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, p. 12
A Sad Heart at the Supermarket: Essays & Fables (1962)

“Although it must be said it would be really nice if people listened to us because they like our music and not because we come from Finland.”

Jaani Peuhu (1978) Finnish musician

Iconcrash: Interview with Jaani Peuhu, 2007-04-06, 2008-02-12 http://www.eurobands.us/2007/04/06/iconcrash-506/,

“Listening to that performance changed my life. It changed the course of my musical career. I could listen to my heart's voice clearly because the music had helped me understand my mind's deepest desires. Today, I am happy and feel blessed that I followed the path dictated by my heart.”

Hariprasad Chaurasia (1938) Indian bansuri player

On hearing a performance on a woodwind by Pandit Bhola Nath of Varanasi.
My father's wrestling techniques made my lungs strong: Pandit Hariprasad Chaurasia

“I'm really interested in the harp as a fully actualized, self-contained way of presenting songs. That there is a bass in the harp - there is a way to create a rhythmic sense without drums - there's a way to have all sorts of textural variations and expressive variations.”

Joanna Newsom (1982) American musician

Sunday Service, 13 December 2004
Context: I'm not terribly interested in playing harp on other people's music right now. Partly because I feel like many people view the harp as this kind of gimmick. You know, like they have songs that are fully realized, complete songs, and then they think "How do we make this special? - Ooh, let's bring the harp in!" and they kind of want a harpist to play a glissando and play some heavenly noise in the background. I'm really interested in the harp as a fully actualized, self-contained way of presenting songs. That there is a bass in the harp - there is a way to create a rhythmic sense without drums - there's a way to have all sorts of textural variations and expressive variations.
I also don't want to feel bound to the harp, I'd be interested in bringing other instruments in at some time. But I think the harp has been viewed in one particular way for so long, and has been limited for so long, that I feel like I am really interested in stretching the boundaries of what it's capable of doing and how it's perceived.

“I never make songs to disrespect women / or to judge people about the way that they're living / but the way I am is based on the life I was given / Like those white boys "Losing My Religion"”

Immortal Technique (1978) American rapper and activist

Crossing the Boundary
Albums, Revolutionary Vol. 2 (2003)

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