“The spire is the simplest part of the romanesque or gothic architecture, and needs least study in order to be felt. It is a bit of sentiment almost pure of practical purpose. It tells the whole of its story at a glance, and its story is the best that architecture had to tell, for it typified the aspirations of man at the moment when man's aspirations were highest.”

Mont Saint Michel and Chartres (1904)

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Henry Adams311

journalist, historian, academic, novelist 1838–1918

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“Tell me a story.
In this century, and moment, of mania,
Tell me a story.
Make it a story of great distances, and starlight.
The name of the story will be Time,
But you must not pronounce its name.
Tell me a story of deep delight.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

"Tell me A Story"

“Form - as a pattern of perception - can motivate the use of architecture. Architecture provides a complete service for its users, if function (practical purpose) coincides with use motivated by form.”

Justus Dahinden (1925) Swiss architect

Man and Space - Mensch und Raum 2005

“I don't aspire to be a good man. I aspire to be a whole man.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

“Its important to know stories. I felt the earth shift to make a place for you when you were born, and I came to tell you stories while you are young. And like me, you were born with a word on your tongue.”

Shannon Hale The Goose Girl

Source: The Goose Girl

“Scribal culture and Gothic architecture were both concerned with light through, not light on.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 120

“Myth is the system of basic metaphors, images, and stories that in-forms the perceptions, memories, and aspirations of a people; provides the rationale for its institutions, rituals and power structure; and gives a map of the purpose and stages of life.”

Sam Keen (1931) author, professor, and philosopher

Source: The Passionate Life (1983), p. 21

“Positivism … implies the double falsehood that no interpretation is needed, and that it is not needed because the story which the positivist writer tells, such as it is, is obvious. The story he or she tells is usually a bad one, and its being obvious only means that it is familiar.”

Bernard Williams (1929–2003) English moral philosopher

Source: Truth and Truthfulness (2002), p. 12

“Along with plot, I am always thinking about structure. Sometimes the story guides you to the best structure for its telling. Using letters seemed like the best way to tell this story. When writing these letters, the characters are selecting what they want to tell. In this case, the woman is writing in a way that would not endanger her or her family if her letters were found by the military authorities who took over the country, and the man is writing with the urgency of someone who could die at any minute while at sea.”

Edwidge Danticat (1969) Novelist, short story writer, memoirist

On using an epistolary form for her short story “Children of the Sea” in “An Interview | Edwidge Danticat” http://www.bkreview.org/fall-2018/an-interview-with-edwidge-danticat/ in The Brooklyn Review (Fall 2018) <br class="br">Interviews

“If ever the Time should come, when vain & aspiring Men shall possess the highest Seats in Government, our Country will stand in Need of its experienced Patriots to prevent its Ruin.”

Samuel Adams (1722–1803) American statesman, Massachusetts governor, and political philosopher

Letter to James Warren (24 October 1780) http://www.gutenberg.org/etext/2094

“Opera, next to Gothic architecture, is one of the strangest inventions of western man. It could not have been foreseen by any logical process.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: Civilisation (1969), Ch. 9: The Pursuit of Happiness

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