“.. the personification of the close-up detail, the individualisation of the fragment, where the drama takes shape, moves and have it being. Film concurs with this aspect for life. The hand is a multiple, transformable object. Before I saw it in a film, I did not know what a hand was! The object in itself is capable of becoming an absolute, moving, tragic thing.”

— Fernand Léger

Quote from: 'L'ésthetique de la Machine - l'Ordre Géometrique et le Vrai', in Propos d’Artistes, 1925
Quotes of Fernand Leger, 1920's

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote ".. the personification of the close-up detail, the individualisation of the fragment, where the drama takes shape, move…" by Fernand Léger?

Fernand Léger 42

French painter 1881–1955

Related quotes

“The film moves at what I consider to be the speed of art — which is slow. Cremaster 2 does what I think sculpture does: It moves slowly and requires that one move around it to understand it, and to visit it repeatedly.”

Matthew Barney (1967) American artist

Attributed in "Matthew Barney – The Cremaster Cycle: Sculpture and Drawing", Guggenheim Arts Curriculum http://artscurriculum.guggenheim.org/lessons/cremaster_L1.php
Attributed

“I myself have employed the close-up, which is the cinema's only real invention. The fragment of the object has also been of use to me; by isolating it you personalize it. All this work has led me to regard the phenomenon of objectivity as a new and highly contemporary value in itself”

Fernand Léger (1881–1955) French painter

quote of c. 1927
Quote in 'Autour de Ballet Méchanique', as quoted in Fernand Léger – The Later Years -, catalogue ed. Nicolas Serota; published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988, pp. 21-22
Quotes of Fernand Leger, 1920's

“Things have no hold on the soul. They have no access to it, cannot move or direct it. It is moved and directed by itself alone. It takes the things before it and interprets them as it sees fit.”

Marcus Aurelius book Meditations

Hays translation
V, 19
Meditations (c. 121–180 AD), Book V

“The lover is moved by the beloved object as the senses are by sensual objects; and they unite and become one and the same thing. The work is the first thing born of this union; if the thing loved is base the lover becomes base.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

“It isn’t that I object to it. I just feel it’s the wrong adjective as applied to the films I do. Because horror to me is, say, a film like The Godfather.”

Peter Cushing (1913–1994) English actor

Or anything to do with war, which is real and can happen, and unfortunately, no doubt, will happen again some time. But the films that dear Christopher Lee and I do are really fantasy. And I think fantasy is a better adjective to use. I don’t object to the term horror, it’s just the wrong adjective!
Peter Cushing Interview 1973 http://www.bbc.co.uk/programmes/p048plh0 (1973)

“Before my eyes are many miserable scenes, the suffering of others and myself forces my hands to move. I become a machine for writing.”

Ba Jin (1904–2005) Chinese novelist

As quoted in "Literary witness to century of turmoil" in China Daily (24 November 2003)

“Believe me, I am still very surprised that I managed to make that film [Close-Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience. Because the film made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.”

Abbas Kiarostami (1940–2016) Iranian film director, screenwriter, photographer and film producer

https://www.theguardian.com/film/2005/apr/28/hayfilmfestival2005.guardianhayfestival

“What man calls Absolute Being, his God, is his own being. The power of the object over him is therefore the power of his own being. Thus, the power of the object of feeling is the power of feeling itself; the power of the object of reason is the power of reason itself; and the power of the object of will is the power of will itself.”

Ludwig Feuerbach book The Essence of Christianity

Introduction, Z. Hanfi, trans., in The Fiery Brook (1972), p. 102
The Essence of Christianity (1841)

“I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.”

David Cronenberg (1943) Canadian film director, screenwriter and actor

Source: Cronenberg on Cronenberg (1997), Ch. 4

“So from there on I made all their science fiction films, and the more I did of these films the more I liked it because the studio left me alone. No one at that time was an expert at making sf films so I claimed to be one. I wasn't, of course, but the studio didn't know that so they never argued with me, no matter what I did. In most of my sf films I tried to create an atmosphere because I think if you shoot an imaginative film--a film in which you ask an audience to believe things that are bizarre--you have to make them believe it. You can't do this with the story or actors alone, you have to create a kind of atmosphere while shooting it in which the audience's credibility will be suspended to the point where they don't say to themselves: "That's impossible!"”

Jack Arnold (director)

Jack Arnold in The Horror People http://eric.b.olsen.tripod.com/arnold.html (1976)

Help us to complete the source, original and additional information

Fernand Léger 42

Related quotes

Related topics