Quoted in: Paul Jones (2011), The Sociology of Architecture: Constructing Identities. p. 47.
Other explanation by Picasso of the Guernica.
Quotes, 1930's
“It′s always seemed odd to me that people don′t paint with both hands. I mean, if I′m technically so shackled that I can′t paint with my hair, stomach or bottom, what about my other hand? You′ve got to live in painting. All-round painting… Indefinable space-at least indefinable in traditional terms-that′s what I require of my paintings. There must be absolutely no central focus… There can be no progress until that damned centre has been eliminated… My paintings are sublimated stamping, screaming and hissing-I try to translate a process experienced physically into a physically visible one.”
Source: Nervous Stillness on the Horizon (2006), P. 106 (1960)
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Günter Brus 31
Austrian artist 1938Related quotes
Said to avant-garde artists Ely Bielutin and Ernst Neizvestny during a visit to their exhibition (1 December 1962)
Richter's aunt had been murdered by the Nazis in the name of euthanasia, a crime for which his father-in-law from his first marriage, a Nazi doctor named Heinrich Eufinger, had been partially responsible. Richter painted a portrait of his aunt in 1965, based on an old photo. It was called 'Tante Marianne' / 9Aunt Marianne).
after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)
“I dream my painting, and then I paint my dream.”
As quoted in Marry Your Muse: Making a Lasting Commitment to Your Creativity (1997) by Jan Phillips, p. 176
Undated
In a letter to William Milliken (1930), quoted in Portrait of an Artist: A Biography of Georgia O'Keeffe, Laurie Lisle (1981), p. 128
1930s
“Painting is so stupid, so simple. I paint to get out of the through. I paint my misery.”
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
Quotes, 1960 - 1970
Source: LIFE http://books.google.com/books?id=XUoEAAAAMBAJ&pg=PA49, Vol. 64, nr. 3, 19 January 1968, p. 49
Quote, 1914, from: Foreword
1970s, Some Memories of Drawings (1976)