On fashioning a new sense of self in “Migrant State of Mind: A Q&A With Novelist Laila Lalami” https://www.thenation.com/article/laila-lalami-interview-the-other-americans/ in The Nation (2019 Apr 23)
“And in this sense [of using 'poor' material / arte povare] I've been influenced by or related to some Dadaist forerunner, Duchamp, Schwitters... But there are other aspects of the 'ascetic' function, of the 'sacralisation' of the world around us which I've referred to.... the 'supreme identity' of Samsara with Nirvana. The use of new materials, collage and assemblage, became quite widespread among some new artists of that time.”
as quoted in 'Tàpies: From Within', June/November 2013 - Presse Release text, Museu Nacional d'Art de Catalunya (MNAC), pp. 7-8
1971 - 1980, Memòria Personal', 1977
Help us to complete the source, original and additional information
Antoni Tàpies 39
Catalan painter, sculptor and art theorist 1923–2012Related quotes
Preface
A Course of Lectures on Natural Philosophy and the Mechanical Arts (1807)
In his essay 'The legacy of Jackson Pollock', published in 'ARTnews', Fall of 1958; as quoted by Christina Bryan Rosenberger, in 'Drawing the Line: The Early Work of Agnes Martin', Univ. of California Press, July 2016, p 121
this essay of 1958 became more or less an art-manifesto for the generation American artists after Abstract Expressionism
Source: 1940s, I is Style (2000), pp. 100-101 : in: 'That is my confession I have to make MERZ' (1940 – 1946), Kurt Schwitters.
1:73
"Quotes", Late Notebooks, 1982–1990: Architecture of the Spiritual World (2002)
Source: Quality Control: Principles, Practice, and Administration. 1951, p. vii-viii
Source: 1940 - 1950, The Plasmic Image 2. 1943-1945, p. 127
Richard Long (1982), cited in: Description of the exhibition Concentrations IX: Richard Long, March 31–July 8, 1984 at the Dallas Museum of Art http://texashistory.unt.edu/ark:/67531/metapth224905/m1/1/.
1980s