“It is worth remembering that every writer begins with a naively physical notion of what art is. A book for him or her is not an expression or a series of expressions, but literally a volume, a prism with six rectangular sides made of thin sheets of papers which should include a cover, an inside cover, an epigraph in italics, a preface, nine or ten parts with some verses at the beginning, a table of contents, an ex libris with an hourglass and a Latin phrase, a brief list of errata, some blank pages, a colophon and a publication notice: objects that are known to constitute the art of writing.”

Disembodied voice of Room 1408, over the telephone
Pages 396–397[Everything's Eventual: 14 Dark Tales, 1st edition, 2002, Scribner, New York, ISBN 0-7432-3515-0, 459 pages]
Everything's Eventual (2002), "1408"

“Christian Aesthetics,” The Trinity Review, May 1989.

Not because it teaches history; we've shown you it doesn't. Read it because you'll see for yourself what the Bible is all about. It sure isn't great literature. If it were published as fiction, no reviewer would give it a passing grade. There are some vivid scenes and some quotable phrases, but there's no plot, no structure, there's a tremendous amount of filler, and the characters are painfully one-dimensional. Whatever you do, don't read the Bible for a moral code: it advocates prejudice, cruelty, superstition, and murder. Read it because: we need more atheists — and nothin will get you there faster than readin' the damn Bible.
"The Bible: Fact or Fiction?" Penn & Teller: Bullshit!, season 2 episode 6 (6 May 2004)
2000s

The Art of Doing Science and Engineering: Learning to Learn (1991)

Maxim 739, trans. Stopp
Maxims and Reflections (1833)

Source: Intercourse (1987), Chapter Five, "Possession"

Source: The Bloody Chamber and Other Stories

Kazimierz Ajdukiewicz, On the Meaning of Expressions, Lwow 1931. (original title: O znaczeniii wyrazen.) p. 19-20; as cited in: Schaff (1962;299)

Larry King Interview (8 September 2003)
Context: I think no matter what we cover, people tend to see what we cover through their own particular political or personal prisms. I always ask people to be specific what they're talking about. You can't cover the Middle East — you can't cover American politics — you can't cover America these days without finding people in one place or another taking exception to what we do. I think it goes with the territory. Keeps me, at least I hope, mindful, always that there's at least one other opinion and sometimes a dozen other opinions. And they all bear accounting for. But not everybody is right you know because somebody says, "well you did X", and you say "well, maybe X is right in some cases".