“I have been in Munich this week, and got to know the whole 'Neue Künstlervereinigung' at [gallery] Tannhauser's – Jawlensky, Kandinsky etc... For Munich they are very, very good, I was interested.”

—  August Macke

Quote in Macke's letter to Franz Marc, September 1910; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 137

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I have been in Munich this week, and got to know the whole 'Neue Künstlervereinigung' at [gallery] Tannhauser's – Jawle…" by August Macke?
August Macke photo
August Macke8
German painter of the expressionist group Der Blaue Reiter 1887–1914

Related quotes

August Macke photo

“I have been to [gallery] Hagen, saw two Matisses, which enchanted me. A large collection of Japanese masks. Sublime! 'Neue [Künstler] Vereinigung' were hung in a bad light.... Kandinsky, Jawlensky, Bechteleff and Erbslöh have immense artistic sensibility. But the means of expression are to big for what they have to say. The sound of their voice is so good, so fine, that what is being said get lost. Consequently a human element is missing. They concentrate, too much, I think, on form. There is much to be learnt from their efforts. But early things by Kandinsky, and a few by Jawlensky too, seem a little empty to me. And Jawlensky's heads looked at me a little bit too much with colors. With blue and green. I hope you understand what I mean.”

August Macke (1887–1914) German painter of the expressionist group Der Blaue Reiter

in a letter to Franz Marc, 26 December 1910; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 137

“I made my examination in Berlin in 1915. And I must say also that Berlin was for me in another way very important. At the time there were all these new movements – 'Die Brücke'…… the 'Der Blaue Reiter', Walden of the 'Storm' Gallery. Then Kassierer who bought the Chagalls, the first Chagall's that were ever seen in Europe were there. And there was 'Die Brücke'. Rottluff, Heckel, and Kirchner. You know we saw all that. Which was good. You see, Kassierer was then the man who bought the modern French painters. He had particularly Degas who I consider still today a very good painter, one of the best. But, anyway, in spite of my teaching my art was my concern. On the little money I had collected I lived in Berlin very cheaply, ate very cheaply. And already in 1920 I saved the first salaries I received to go to Munich… So for the first time I saw the old masters, Rubens and all at the Alte Pinakothek.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

“I know a very good reason,' said Ainsley, 'but I don't know a very good excuse.”

William Mayne (1928–2010) English writer of children's fiction

Gabriele Münter photo

“I think we were all more interested in being honest than in being modern. That's why there could be such great differences between the styles of the various members of our group... They had great faith in each other. I think that each of them knew that the other, as an artist, was absolutely honest. Whenever Kubín came to Munich from his nearby country retreat, they [Kandinsky and Kubin] spent many hours together, and I wish I had been able to take down in shorthand some of their conversations. Their ideas about art and life were so different.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 118

“I did not like acting. I wasn’t very good and wasn’t interested in being good but I was interested in helping people that were good.”

Nicole Jaffe (1941) Talent agent, actress

Super ‘70s and ‘80s: “Scooby-Doo, Where Are You!”—Nicole David (Jaffe) https://www.noblemania.com/2011/10/super-70s-and-80s-scooby-doo-where-are_10.html (October 10, 2011)

Stephen Chbosky photo

“I don't know the significance of this, but I find it very interesting.”

Stephen Chbosky book The Perks of Being a Wallflower

Source: The Perks of Being a Wallflower

Ian Holloway photo

“"To put it in gentleman's terms if you've been out for a night and you're looking for a young lady and you pull one, some weeks they're good looking and some weeks they're not the best. Our performance today would have been not the best looking bird but at least we got her in the taxi. She wasn't the best looking lady we ended up taking home but she was very pleasant and very nice, so thanks very much, let's have a coffee"
- on the "ugly" win against Chesterfield.”

Ian Holloway (1963) English association football player and manager

Gordon Strachan v Ian Holloway: Sportsmail picks their top 10 funny quotes ahead of Middlesbrough&#x27;s showdown with Blackpool, 2009-12-08, Mail Online, 2011-04-29 http://www.dailymail.co.uk/sport/football/article-1234084/Gordon-Strachan-v-Ian-Holloway-Sportsmail-picks-10-funny-quotes-ahead-Middlesbroughs-showdown-Blackpool.html, <br class="br">Sourced quotes

Ian Kershaw photo

“Not only, then, did Hitler do nothing to assist in the crushing of Munich’s ‘Red Republic’; he was an elected representative of his battalion during this whole period of existence. How to interpret this evidence is, nevertheless, not altogether clear. Since the Munich garrison had firmly backed the revolution since November, and again in April supported the radical move to the Räterepublik, the obvious implication must be that Hitler, in order to have been elected as a soldiers’ representative, voiced in these months the views of the socialist governments he later denounced with every fibre of his body as ‘criminal.”

Ian Kershaw (1943) British historian

Source: Hitler 1889-1936: Hubris (1999), p. 118

Ingmar Bergman photo

“I think he's a very good technician. And he has something in Psycho, he had some moments. Psycho is one of his most interesting pictures because he had to make the picture very fast, with very primitive means. He had little money, and this picture tells very much about him. Not very good things. He is completely infantile, and I would like to know more — no, I don't want to know — about his behaviour with, or, rather, against women. But this picture is very interesting.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On Alfred Hitchcock in an interview with John Simon (1971).

“I commenced the study of the Chinese language at the University of Munich. I had then about 3 years in Germany, engaged in various studies. Happening to notice the announcement of a course of lectures on the language of the Chinese by Professor Neumman, the interest I have always taken in the people, induced me to employ an otherwise vacant hour in learning something of their tongue.”

Thomas Taylor Meadows (1815–1868) British sinologist and diplomatic interpreter from Chinese

Page 7 of &quot;The Chinese and their Rebellions, viewed in connection with their national philosophy, ethics, legislation and administration, to which is added An Essay on Civilization and its present state in the East and West&quot; https://books.google.com/books?id=dKEBAAAAQAAJ&amp;pg=PR3&amp;dq=The+Chinese+and+their+Rebellions,+viewed+in+connection+with+their+national+philosophy,+ethics,+legislation+and+administration,+to+which+is+added+An+Essay+on+Civilization+and+its+present+state+in+the+East+and+West&amp;hl=en&amp;sa=X&amp;ei=x626UaDJKsnWyQHLmoG4BA&amp;ved=0CC0Q6AEwAA#v=onepage&amp;q=The%20Chinese%20and%20their%20Rebellions%2C%20viewed%20in%20connection%20with%20their%20national%20philosophy%2C%20ethics%2C%20legislation%20and%20administration%2C%20to%20which%20is%20added%20An%20Essay%20on%20Civilization%20and%20its%20present%20state%20in%20the%20East%20and%20West&amp;f=false

Related topics