“Now, to the great artist, everything in nature has character; for the unswerving directness of his observation searches out the hidden meaning of all things. And that which is considered ugly in nature often presents more character than that which is termed beautiful, because in the contractions of a sickly countenance, in the lines of a vicious face, in all deformity, in all decay, the inner truth shines forth more clearly than in features that are regular and healthy.”

— Auguste Rodin

Source: Art, 1912, Ch. II. To the artist, all in nature is beautiful, p. 46

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Auguste Rodin 73

French sculptor 1840–1917

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“In art a thing is beautiful whenever it has character. Character — this is the intense truth of any natural spectacle, whether beautiful or ugly. You may even call it a double truth. For it is the inner essence expressed by the outer appearance. It is the soul, the sentiment, the idea that shines out through the features of a fare, the pose and action of a human body, the tones of a skym the line of a horizon.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

“Now to the great artist, everything in nature has character.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

“To any artist, worthy of the name, all in nature is beautiful, because his eyes, fearlessly accepting all exterior truth, read there, as in an open book, all the inner truth.
He has only to look into a human face in order to read there the soul within — not a feature deceives him; hypocrisy is as transparent as sincerity — the line of a forehead, the least lifting of a brow, the flash of an eye, reveal to him all the secrets of a heart.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. II. To the artist, all in nature is beautiful, p. 47-48

“I admit, of course, that the artist does not see nature as the vulgar do. His emotion reveals to him the inner truths that underlie appearance. But the only principle In art is to copy what one sees. Every other method is ruinous. No one can embellish Nature. It is simply and solely a question of seeing. Doubtless a mediocre man, when he copies will never produce a work of art. He looks without seeing. No matter how minutely he observes, the result will be flat and without character. But the artist's trade is not for mediocre men, and no amount of training can supply them with talent. The artist sees - he sees with his heart. He sees deep into the heart of Nature. To the artist everything in Nature is beautiful.
The vulgarian imagines that what looks to him ugly In Nature is not material for the artist. He would forbid us to represent what displeases and offends him. He makes a grave mistake. What is commonly called ugliness in Nature may become a great beauty in art.
In the realm of realities, people regard as ugly everything that is deformed and diseased and that suggests sickness, weakness and suffering. They regard as ugly everything that defies regularity, which is to them the symbol and condition of health and strength. A hump is ugly, bow-legs are ugly, misery in rags is ugly. Ugly, again, are the soul and conduct of the immoral, the vicious, the criminal man, the abnormal man who is an enemy of society; ugly is the soul of the parricide, the traitor, the unscrupulous slave of ambition. And it is right that the lives and the of which we can expect only evil should be given an odious epithet.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

“Good nature is more agreeable in conversation than wit, and gives a certain air to the countenance which is more amiable than beauty.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 169 (13 September 1711).
The Spectator (1711–1714)

“There is often more psychic appeal in a so-called ugly woman than there is in a pretty one; and, in my ideal, I reconstruct her to bring that beauty forth in terms of line or volume.”

André Derain (1880–1954) French painter and engraver

Source: The Wild Men of Paris', 1910, pp. 406-07

“Man has his own inclinations and a natural will which, in his actions, by means of his free choice, he follows and directs. There can be nothing more dreadful than that the actions of one man should be subject to the will of another; hence no abhorrence can be more natural than that which a man has for slavery.”

Immanuel Kant (1724–1804) German philosopher

The Educational Theory of Immanuel Kant (1904)
Context: Man has his own inclinations and a natural will which, in his actions, by means of his free choice, he follows and directs. There can be nothing more dreadful than that the actions of one man should be subject to the will of another; hence no abhorrence can be more natural than that which a man has for slavery. And it is for this reason that a child cries and becomes embittered when he must do what others wish, when no one has taken the trouble to make it agreeable to him. He wants to be a man soon, so that he can do as he himself likes.

Part III : Selection on Education from Kant's other Writings, Ch. I Pedagogical Fragments, # 62

“To the Eyes of a Miser a Guinea is more beautiful than the Sun & and a bag worn with the use of Money has more beautiful proportions than a Vine filled with Grapes. The tree which moves some to tears of joy is in the Eyes of others only a Green thing that stands in the way. Some see Nature all Ridicule and Deformity, and by these I shall not regulate my proportions; and some scarce see Nature at all. But to the Eyes of the Man of Imagination, Nature is Imagination itself. As a man is, So he Sees. As the Eye is formed, such are its Powers..”

William Blake (1757–1827) English Romantic poet and artist

1790s, Letter to Revd. Dr. Trusler (1799)

“You'll never make the friendship of nature until you can approach her with the idea of learning all that she has, all that she is, all that she serves from the inner worlds outwards to this physical vestment. The more wildflowers you learn the names of the richer you are. The more birds you can identify the finer character you possess and the more you can love as well as appreciate and seek to protect beauty in every form, the higher and nobler becomes your character. For nature teaches your character to expand and it reaches out to your very soul to make it as pure as it is.”

Flower A. Newhouse (1909–1994) American mystic

Lecture June 8, 1958 Nature's Portals of Instruction
Nature

“The unique purpose of geography is to seek comprehension of the variable character of areas in terms of all the interrelated features which together form that variable character.”

Richard Hartshorne (1899–1992) American Geographer

Source: Perspective on the nature of geography (1958), p. 20

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Auguste Rodin 73

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