“I have attempted to develop my thinking in such a way that the work I've done is not me – not to confuse my feelings with what I produced. I didn't want my work to be an exposure of my feelings. Abstract Expressionism was so lively – personal identity and painting were more or less the same, and I tried to operate the same way. But I found I couldn't do anything that would be identical with my feelings. So I worked in such a way that I could say that it's not me. That accounts for the separation.”

— Jasper Johns

Jasper Johns: 'I have attempted to develop my thinking', Vivien Raynor, Artnews 72 no. 3, March 1973, p. 20-22
1970s

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Jasper Johns 34

American artist 1930

Jasper Johns (1930) American artist

Quote from Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990, p. 202
1990s

“I have always worked on the assumption that if something is valid and meaningful to me, it will also be valid and meaningful to many others. Not to everyone of course. On the basis of this assumption I do not think of an audience when I work, but only of my own reactions. By the same token I do not worry whether what I am doing is art or not. If what I paint is expressive, if it seems to communicate the feeling that is important to me, then I am not concerned if my work does not have marked earmarks of art. My work has been called abstract, surrealistic, totemistic and primitive.... I chose my own label and called my paintings 'Pictographs'..”

Adolph Gottlieb (1903–1974) American artist

Arts and Architecture, vol. 68, no 9, September 1951, p. 21.
1950s

“I see people giving me looks because I'm so opinionated. That hurts my feelings, but at the end of the day I have to live with me and respect myself. And I've done enough things in my life where I was confused and didn't respect myself that I will not do it any more.”

Sherilyn Fenn (1965) American actress

Sherilyn Fenn, quoted in "'Three of Hearts' may be Fenn's winning card", by Nancy Mills. Boston Herald (USA). April 25, 1993. p. 41

“These days a very melancholic mood has taken hold of me. There is nothing else but my work. My dear ones, I have been well and I have been working and my way of working is changing. For this reason I always feel extremely anxious. I am not content and perhaps I will not (ever) be satisfied with my work, not even for one day. I want to attain works which are more personal and clean.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: 1930 - 1941, from 'Arshile Gorky, – Goats on the roof' (2009), p. 125: Gorky's quote, in a letter to his sister Vartush Mooradian, 28 February 1938

“My association is so painfully close that avoidance is the only way I know to retain my identity. It's ridiculous and embarrassing. I hate feeling this way, because it forces me to see how deeply racism has affected me.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, MENTAL COLONIZATION

“I want to know that I've done everything I could every day I think of all those people out there who are depending on us. I think about it. It does make me feel we need more work, more help. Get those spectators on the playing field, or out of the arena. Really, that is how I feel about it. I do what I can, and I do it the way I do everything… there's nothing part of the way for me.”

Tom Cruise (1962) American actor and film producer

Transcript of Tom Cruise on Scientology (January 16, 2008)

“I do feel that I have to use my voice for those that don’t have one. I have to do the best I can in my own work to represent my culture, represent the women of my country, of Latin America. What we stand for. What we’re made of. I feel like there is a part of me that represents a minority in the US, a minority around the world. People who struggle, people who want to succeed with drive and ambition. So, people who want to try – yeah, I do feel in a way like an ambassador, for all of those.”

Shakira (1977) Colombian singer

“Night and day I've been most intensely thinking about my painting, and I have been more or less satisfied with everything I've done. I'm slacking a little now, not working as much, and no longer so satisfied. But all in all, I still have a loftier and happier perspective on my art than I did in Worpswede. But it does demand a very, very great deal of me – working and sleeping in the same room with my paintings is a delight... When I wake up in the middle of the night, I jump out of bed and look at my work. And in the morning it's the first thing I see..”

Paula Modersohn-Becker (1876–1907) German artist

In a letter from Paris, 15 May 1906 to Otto Modersohn in Worpswede; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 204
1906 + 1907

“On the second album I worked with a lot of people that I worked with on the Metamorphosis album. And when I worked on Metamorphosis I was so nervous and shy about going into the studio and working with people, they eventually toward the end made me feel so comfortable and so secure with myself. I loved working with them. I have a great relationship with them. I talk to them [all the time]. When we started talking about the second album, I was like, "I want to work with all the same people." They knew what was going on in my life, what I was going through. I would call them and say, "I feel like this right now. I want a song about this…" I never really felt like I had enough time to write my whole album and I don't know if I'm secure enough with myself to do that. But I wrote three songs on the album, one I wrote with my sister. It's so personal and these people really got what I was going through and how I feel inside. I think that's what makes it good and that's what makes me relate to them.”

Hilary Duff (1987) American actress and singer

Murray, Rebecca. "Hilary Duff Talks About 'Raise Your Voice'" http://movies.about.com/od/raiseyourvoice/a/raisehd092804.htm. About.com. Retrieved October 25 2006.
On Hilary Duff (2004).

“What I was looking for was a romantic athmosphere that I could feel at home with. I think I've achieved that. I love my home. I have friends round. I take care to live in it, not to work in it.”

Enya (1961) Irish singer, songwriter, and musician

On her castle
Women's Weekly interview (2006)

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