Quote of Zadkine from interview in 'Het Vrije Volk', (Dutch newspaper), 4 July 1950; as cited in 'Unveiling of the Dutch City https://www.wederopbouwrotterdam.nl/en/tijdlijn/unveiling-of-the-destroyed-city/
Ossip Zadkine explained in 1950 the genesis of his large bronze sculpture 'Destroyed City', commissioned by the city Rotterdam
1940 - 1960
“When I got back [from Le Havre], where I had made several sketches of the harbour exit, I thought of placing the sun in the background. I liked the picture so much that I painted it ten times over, with its three-master and its sun.”
Quote from Boudin's letter, 1882; as cited in the article 'Artists around Monet http://www.muma-lehavre.fr/en/exhibitions/impressions-sun/artists-around-monet, Muma-museum, Le Havre
1880s - 1890s
Help us to complete the source, original and additional information
Eugène Boudin 20
French painter 1824–1898Related quotes
The Hague, 1882
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Ik zelf, ik zal de menschen schilderen op de straat en in de huizen, de straten en de huizen die ze gebouwd hebben, 't leven vooral. Le peintre du peuple zal ik trachten te worden, of liever ben ik al, omdat ik 't wil. Geschiedenis wil ik schilderen en zal ik ook, maar de geschiedenis in haren uitgebreidsten zin. Een markt, een kaai, een rivier, een bende soldaten onder een gloeiende zon of in de sneeuw.. (Den Haag, 1882)
Quote of Breitner, in his letter to A.P. van Stolk nr. 24, 28 March 1882, (location: The RKD in The Hague); as quoted by Helewise Berger in Van Gogh and Breitner in The Hague, her Master essay in Dutch - Modern Art Faculty of Philosophy University, Utrecht, Febr. 2008]], (translation from the original Dutch, Anne Porcelijn) p. 6.
this quote dates from Breitner's period in The Hague and suggests that Breitner based his ideas for subjects and methods on French Realism in literature, similar to Vincent van Gogh; they read the same novels; lending them to each other. Together they went also through the lower neighborhoods of The Hague, c 1882, sketching and drawing the people
before 1890
On painting after returning to Cuba in “Wifredo Lam: Man of the World” https://www.tate.org.uk/context-comment/articles/wifredo-lam-man-of-world (Tate; 2016 Aug 16)
One Particular Harbour, written with Bobby Holcomb
Song lyrics, One Particular Harbour (1983)
Mail On Sunday, September 2008
Miscellaneous
“I know death hath ten thousand several doors
For men to take their exits.”
Act IV, scene ii. Compare: "Death hath so many doors to let out life", John Fletcher, The Custom of the Country, act ii, scene 2.
Duchess of Malfi (1623)
Quote in 'Travelling Man', Time January 1948
1941 - 1967
Gallery Notes, Allbright-Knox Art Gallery, Vol. 24 summer 1961 pp. 9-14; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 197
1960s