
Source: Autobiography of Mark Twain, Vol. 3 (2015), p. 245
In a letter to Claude Monet, 1880; quoted by Geffroy: Claude Monet, vol. I, p. 175; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 15
In 1880 an exhibition of the works of Claude Monet had - as Signac was to say later - 'decided his career,' - and after his first efforts as an impressionist Signac had ventured to appeal to Monet, writing him this sentence in his letter
Source: Autobiography of Mark Twain, Vol. 3 (2015), p. 245
The Uttarpara Address (1909)
Context: The second message came and it said, "Something has been shown to you in this year of seclusion, something about which you had your doubts and it is the truth of the Hindu religion. It is this religion that I am raising up before the world, it is this that I have perfected and developed through the Rishis, saints and Avatars, and now it is going forth to do my work among the nations. I am raising up this nation to send forth my word. This is the Sanatan Dharma, this is the eternal religion which you did not really know before, but which I have now revealed to you. The agnostic and the sceptic in you have been answered, for I have given you proofs within and without you, physical and subjective, which have satisfied you. When you go forth, speak to your nation always this word, that it is for the Sanatan Dharma that they arise, it is for the world and not for themselves that they arise. I am giving them freedom for the service of the world. When therefore it is said that India shall rise, it is the Sanatan Dharma that shall be great. When it is said that India shall expand and extend herself, it is the Sanatan Dharma that shall expand and extend itself over the world. It is for the Dharma and by the Dharma that India exists. To magnify the religion means to magnify the country. I have shown you that I am everywhere and in all men and in all things, that I am in this movement and I am not only working in those who are striving for the country but I am working also in those who oppose them and stand in their path. I am working in everybody and whatever men may think or do, they can do nothing but help in my purpose. They also are doing my work, they are not my enemies but my instruments. In all your actions you are moving forward without knowing which way you move. You mean to do one thing and you do another. You aim at a result and your efforts subserve one that is different or contrary. It is Shakti that has gone forth and entered into the people. Since long ago I have been preparing this uprising and now the time has come and it is I who will lead it to its fulfilment."
Arts and Architecture, vol. 68, no 9, September 1951, p. 21.
1950s
?
Books, The Beggar, Volume I: Meditations and Prayers on the Supreme Lord (Hari-Nama Press, 1994)
In 'Possibilities', Vol. 1, no 1, winter 1947-48, p. 79; as quoted in Jackson Pollock (1983) by Elizabeth Frank, p. 68
1940's
Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona
Quote of Berthe's last letter to daughter Julie, End of Feb. 1895; as cited in Berthe Morisot, Jean-Dominique Rey; translation in English, Flammarion, S.A. (ISBN: 978-2-08-020345-8), Paris, 2016, p. 217
1881 - 1895
Letter to Eric Kennington (6 May 1935)
translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) Wat mijn werk betreft zit ik aan enige kleine schilderijtjes, een is mij besteld en die andere moet ik avonturen. Ik voel hoe langer hoe langs hoe meer dat ik zooveel studie te kort kom, als ik geld had schilderde ik in het eerste jaar geen schilderij en studeer ik [schetsen], maar enfin je moet eens door een zure appel heenbijten, het zal mij moeite genoeg kosten om te kunnen leven.
Quote of Mauve, in a letter to Willem Maris, from Oosterbeek, 1864; as cited in Anton Mauve 1838 - 1888, exhibition catalog of Teylers Museum, Haarlem / Laren, Singer, ed. De Bodt en Plomp, 2009, p. 133
1860's
Source: Reborn: Journals and Notebooks, 1947-1963