“Listen, monsieur Vollard, I worked a lot out of doors at L'Estaque. Except for that there was no other event of importance in my life during the years 1870-71. I divided my time between the field and the studio... Zola closed his letter by urging me to come back to Paris too [in 1872 Cézanne went back to Paris].... but all the same, something told me to go back to Paris. It was too long since I had seen the Louvre. But understand, Monsieur Vollard, I was working at that time on a landscape which was not going well. So I stayed at Aix a little while longer to study on my canvas.”

— Paul Cézanne

Quote in: Cezanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 32-33
Quotes of Paul Cezanne, 1860s - 1870s

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Listen, monsieur Vollard, I worked a lot out of doors at L'Estaque. Except for that there was no other event of importa…" by Paul Cézanne?

Paul Cézanne 62

French painter 1839–1906

Related quotes

“My mind has been so much occupied these days by the thought of Cézanne, of how he has been one of the three or four powerful artists who have affected me like a thunderstorm, like some great event. Do you still remember what we saw at Vollard [art-seller in Paris who showed Cézanne's works frequently in his gallery] in 1900? And then, during the final days of my last stay in Paris, those truly astonishing early paintings of his at the Galerie Pellerin. Tell your husband he should see the things there... If it were not absolutely necessary [Paula was pregnant] for me to be here right now [Germany], nothing could keep me away from Paris.”

Paula Modersohn-Becker (1876–1907) German artist

In a letter from Worpswede, 21 October, 1907, to her friend Clara Rilke-Westhoff; as quoted in Voicing our visions, - Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 208
October 1907 Rilke started to write his famous series 'Letters on Cézanne' to his wife Clara Rilke-Westhoff
1906 + 1907

“I have a friend, he's a very, very substantial guy. He loves the city of lights, he loves Paris. For years, every year during the summer, he would go to Paris, was automatic with his wife and his family. Hadn't seen him in a while and I said, Jim, let me ask you a question, how's Paris doing? "Paris? I don't go there anymore, Paris is no longer Paris."”

Donald J. Trump (1946) 45th President of the United States of America

Trump speaking at the annual Conservative Political Action Conference http://time.com/4682023/cpac-donald-trump-speech-transcript/ (24 February 2017)
2010s, 2017, February

“The sun has only ever shone for me in France (it certainly did that!). I have got used to beating the streets of Paris, happy beyond words dreaming of a life 125 years long - with the Louvre radiant in the distance. (Chagall couldn't go back to Paris because of the outbreak of the first World War in 1914). Having ended up in the Russian provinces, << I have decided to die >>.”

Marc Chagall (1887–1985) French artist and painter

Quote from a letter to Sergei K. Markovsky, 1915; as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 149
1910's

“My entrance into the field of abstract art came about as the result of a visit to the studio of Piet Mondrian in Paris in 1930.
I was particularly impressed by some rectangles of color he had tacked on his wall in a pattern after his nature.
I told him I would like to make them [Mondrian's flat painting] oscillate, he objected. I went home and tried to paint abstractly - but in two weeks I was back again among plastic materials.
I think that at that time and practically ever since, the underlying sense of form in my work has been the system of the Universe, or part thereof. For that is a rather large model to work from.”

Alexander Calder (1898–1976) American artist

Quote (1951), in 'What Abstract Art Means to Me' http://www.jstor.org/stable/4058250, George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis; as cited in the The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15
1950s - 1960s

“.. my favorite artist, when I first began to paint, was actually Cézanne. Later, between 1920 – 1930, I developed a great interest in Chardin [famous for his still-life], w:Vermeer and Corot, too.... that's why you have been able to detect in my works of between 1912 – 1916 some recognizable influences of the early Paris cubists and above all, of Cézanne.”

Giorgio Morandi (1890–1964) Italian painter

Source: 1945 - 1964, Interview, 1960, p. 106

“Everything you tell me in your last letter, which is to say that to spend more time with me they will give up going to Paris, fills me with the greatest pleasure... I find myself much better, and I hope to be back where I was before... I am happy to be better to receive my most beloved travelers. This improvement I owe to Molina.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to Javier (his only son), from Madrid, Summer of 1827; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 401 – note 15
1820s

“My father was a violinist, my mother a pianist. I was born into a world of music... The practicing of my father's pupils accompanied every thought and action of my childish life.... Then when I was thirty [c. 1906], my career as musician was brought to an end by Vollard [art-dealer in Paris] who bought all the pictures I possessed, pictures which I had painted over several years with unbounded enthusiasm during such hours of freedom as I was able to spare between [music]-lessons to my pupils.”

Maurice de Vlaminck (1876–1958) French painter

Source: Quotes dated, Dangerous Corner', 1929, p. 27

“For the first [his very first time in Paris], I went to a little hotel, where I spent the night in a sort of nightmare, in which I saw my home, full of melancholy, with my mother, grandmother, and sister spinning in the evening, weeping and thinking of me, praying that I should escape the perdition of Paris. Then the evil demon drove me on before wonderful pictures, which seemed so beautiful, so brilliant, that it appeared to me they took fire and vanished in a heavenly cloud... Finally, without knowing how, I found myself [during one of his his first days in Paris] on the Pont Neuf, from which I saw a magnificent building which I thought must be the Louvre, from the descriptions I had heard of it. I went to it, and mounted the great stairway with a beating heart. At last one great object of my life was attained. I had imagined correctly what I should see. It seemed to me that I was in a world of friends [the paintings of the old masters], in a family where all that I beheld was the reality of my dreams.”

Jean-François Millet (1814–1875) French painter

Source: Jean-Francois Millet – Peasant and Painter, 1881, p. 46-49

“Richard went to Paris in 1946, when I was 22, he was 38. Now, it took me a long time; I had to get to be much older to realize something. I didn't realize it that day at all. I was not born in Mississippi; I was born in New York. And I did not leave Mississippi to go to Chicago. And endure all that. I was much too young to realize what I was looking at really. But, that's a journey. To go from Mississippi to Chicago to New York to Paris in 38 years is amazing. You might as well have walked all that distance, it's almost that remarkable.”

Richard Wright (1908–1960) African-American writer

James Baldwin at Yale University (2 November 1983)

“I didn't like the trade. Santurce is close to my home town and I like the fans there. They good to me and cheer me all the time. I may not go back. I may work in Pittsburgh.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Reacting to the sale of his erstwhile winter ball team, Santurce, and his subsequent trade to San Juan; as quoted in "Roberto Does Better When He's Ailing" https://news.google.com/newspapers?id=rEQjAAAAIBAJ&sjid=Ak4EAAAAIBAJ&pg=7048%2C256258 by Les Biederman, in The Pittsburgh Press (Saturday, March 2, 1957), p. 6
Baseball-related, <big><big>1950s</big></big>, <big>1957</big>

Help us to complete the source, original and additional information

Paul Cézanne 62

Related quotes

Related topics