“But secretly I knew I had been transformed, moved by the revalation that human beings create art, that to be an artist was to see what others could not.”

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Last update Dec. 5, 2023. History

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Patti Smith52

American singer-songwriter, poet and visual artist 1946

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“Putting a shovel in a gallery or museum signified “this shovel has become art.” And it actually was. The action itself is art, because the artist projects himself in choosing the shovel, and especially in placing it out of context. It is art in the sense that the imprint of a hand in a cave is art, the Mona Lisa is art, a happening is art, etc. It is a problem that touches on the ethics and function of the artist: he assumes the right to have this supra-human calling that allows him to say to others, “everything that I touch with my hand is transformed into art.” The artist imposes his anguish, his vision of the world, and himself on others. The artist emasculates the observer. Maybe he thinks that the latter deserves no better… The artist assumes the right to show you what you can see for yourself, what you could obviously see much more clearly without his intervention. I contest this right.”

Daniel Buren (1938) sculptor from France

Source: Art is no longer justifiable or setting the record straight, 2000, p. 66-67

“I had measured the difference that separated art prior to 1900 from the art which I felt was being born. I knew that all instruction was at an end. The age of personal expression had finally begun. The value of an artist was no longer to be judged by the finish of his execution, or by the analogies his work suggested with such-and-such an archetype. It would be judged – exclusively – by what distinguished this artist from all the others. The age of the master and pupil was finally over; I could see about me only a handful of creators and whole colonies of monkeys. But I could not ask Gleizes to see it that way. Happily, nothing of his social or mystical opinions remained when he was engaged in the work of painting. The work of reconciling an oval and a lozenge, a yellow and a blue, prevailed and saved him.”

Jean Metzinger (1883–1956) French painter

Cubism was born

“There was a whole language that I could never make function for myself; it revolved around words like 'tortured', 'struggle'. 'pain'… I could never see these qualities in paint – I could see them in life and art that illustrates life. But I could not see such conflicts in the materials and I knew that it had to be in the attitude of the painter.”

Robert Rauschenberg (1925–2008) American artist

Source: 21st Century, Robert Rauschenberg, Works, Writings and Interviews, 2006, p. 37

“I think we were all more interested in being honest than in being modern. That's why there could be such great differences between the styles of the various members of our group... They had great faith in each other. I think that each of them knew that the other, as an artist, was absolutely honest. Whenever Kubín came to Munich from his nearby country retreat, they [Kandinsky and Kubin] spent many hours together, and I wish I had been able to take down in shorthand some of their conversations. Their ideas about art and life were so different.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 118

“Writing…is an art; and artists…are human beings. As a human being stands, so a human being is….”

E.E. Cummings The Enormous Room

The Enormous Room (1922)

“At the beginning I was confronted with a choice: move into art or revolutionary politics,… I took the path of art at the age of 18…. I could see this possibility of using the ideas of social change within art.”

Gustav Metzger (1926–2017) Artist and political activist

Gustav Metzger: 'Destroy, and you create', 2012

“The purpose of arts education is not to produce more artists, though that is a byproduct. The real purpose of arts education is to create complete human beings capable of leading successful and productive lives in a free society.”

Dana Gioia (1950) American writer

Commencement speech, Stanford University (2007-06-17)
Speeches and lectures

“don’t write out of what I know; I write out of what I wonder. I think most artists create art in order to explore, not to give the answers. Poetry and art are not about answers to me; they are about questions.”

Lucille Clifton (1936–2010) American poet

“Inherent in human beings are possibilities which we now can't even entertain. Before the space launch, space travel to many of us was the stuff of fantasy, of science fiction. We know what it is to explore the limits of what we consider to be a human being, but if we were to transform our understanding of ourselves, if we were to transform what we knew a human being to be, new possibilities of expression would open. We could function in a more creative way. In a more humane way. In the past we were transformed by the thrust of evolution or by accidental forces. This time we should transform ourselves with a conscious, committed degree of self-awareness.”

Werner Erhard (1935) Critical Thinker and Author

Interview with USA Today, "Mankind Must Find a New Self Awareness", Dan Neuharth and Miles White, December 14, 1982

“The artist make things move, and is moved. He is policeman, motor car, everything at once. He who makes things move also creates rest. That which aesthetically is brought to rest is art.”

Piet Mondrian (1872–1944) Peintre Néerlandais

In 'The Grand Boulevards' (of Paris), Piet Mondriaan, in 'De Groene Amsterdammer', 27 March 1920 pp. 4-5
1920's

“But secretly I knew I had been transformed, moved by the revalation that human beings create art, that to be an artist was to see what others could not.”

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