Interview with Robin Denselow (May 2008)
Source: Denselow, Robin, http://arts.guardian.co.uk/filmandmusic/story/0,,2280144,00.html, Robin Denselow talks to African superstar and activist Miriam Makeba, The Guardian, 15, London, 16 May 2008, 18 November 2010
“I want to live like music sounds."- Ruth”
Source: The Morning Gift
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Eva Ibbotson 19
British children's writer 1925–2010Related quotes
Source: Reading Magic: Why Reading Aloud to Our Children Will Change Their Lives Forever
“Feelings are images, sensations are like musical sounds.”
February, 1932<!-- p. 51 -->
Diary entries (1914 - 1974)
Context: We don't have a language for the senses. Feelings are images, sensations are like musical sounds.
Daniel McCallum, Chapter 28 Ira, p. 335
2009, The Longest Ride (2013)
from the introduction to Music of the Spheres
Interview http://niralimagazine.com/2004/10/not-so-missing-in-action/ with Nirali magazine (October 2004)
Sourced quotes
‘Nashville’ Star Chris Carmack on Introspective New EP: Ram Report https://www.rollingstone.com/music/music-country/nashville-star-chris-carmack-on-introspective-new-ep-ram-report-188637/ (December 11, 2015)
My Heart Will Always Be The B-Side To My Tongue (2004), Ultimate Guitar Interview (2008)
“I wanted the whole thing to sound like a carnival.”
As quoted in in Uncut (July 2008) http://www.uncut.co.uk/the-waterboys/the-making-of-the-waterboys-the-whole-of-the-moon-feature
Context: I recorded "…Moon" on my own with a drum machine, then brought musicians in as they were needed. It's about a person who has a spectacular, meteor-like rise, but burns out or dies young. Though the song ain't about him, the nearest equivalent would be Hendrix. Adding a list of all the things the hero/heroine saw raised the emotional temperature. The final chorus now had an extra fatefulness. To express this I inserted "you came like a comet, blazing your trail", then a "comet", a firework sample from a BBC sound effects record. That sweetly collided with Anthony's sax solo, so that it sounds as if the sax erupts from the comet itself. Magic like that just happens. … The Beatles' "Penny Lane" influenced the trumpet break — the sudden injection of super-fresh, bright and clear horns, a sound of optimism and clarity. Bowie's "Fame" inspired the final descending vocal, thought up and sung by Karl. I wanted the whole thing to sound like a carnival.