Existencilism (2002)
New York Times, March 16, 2010 http://www.nytimes.com/2010/03/17/arts/17iht-rartmuseums.html
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155
Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 105
Source: Art is no longer justifiable or setting the record straight, 2000, p. 66
“German: I am the first living art museum”
Ich bin das erste lebende kunst museum.
Arikonmaz, Piril Gulesci (2012-02-02) 'Ben bir müzeyim’ http://www.haberturk.com/yazarlar/piril-gulesci-arikonmaz/712691-ben-bir-muzeyim Haberturk (In Turkish). Retrieved 2012-06-01.
Tablet to ‘Him Who Will Be Made Manifest’
Context: The fact that so many books still name the Beatles "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics are still blinded by commercial success: the Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers. No wonder they will think that the Beatles did anything worth of being saved.
Source: An Object of Beauty
