Roger Ebert idézet (264 idézet, oldal 6)

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Roger Ebert: Idézetek angolul

“The movie stars six teenage characters who have been marketed on TV and in toy stores. They have names, but no discernible personalities. None of them ever says anything more interesting than "You guys!" As teenagers, they are skilled in-line skaters and karate fighters, but they don't get their real powers until they turn into faceless clones in Power Rangers uniforms with plastic masks and helmets. Is that the message? Faceless conformity is the way to success? Certainly the Rangers are not individuals in or out of uniform, but I wonder if they don't represent a triumph of merchandising over creativity. Children's heroes have traditionally been individualistic and eccentric. The Rangers are not, properly speaking, even characters. They are color-coded products… Paging through the movie's press kit, I came across this quote attributed to Amy Jo Johnson, who plays Kimberly, the Pink Power Ranger: " `Mighty Morphin Power Rangers™: The Movie' is a mix between Star Wars and The Wizard of Oz. " I wonder if Amy Jo actually said "TM" when she was delivering that wonderfully fresh and spontaneous quote, which is so much more involved than anything she says in the movie. More to the point, I wonder if she has ever seen "Star Wars" or "The Wizard of Oz."”

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Roger Ebert

Review http://www.rogerebert.com/reviews/mighty-morphin-power-rangers-the-movie-1995 of Mighty Morphin' Power Rangers: The Movie (30 June 1995) Reviews, Half-star reviews

“There is a word for this movie, and that word is: Ick.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/good-luck-chuck-2007 of Good Luck Chuck (21 September 2007) Reviews, One-star reviews

“Boat Trip arrives preceded by publicity saying many homosexuals have been outraged by the film. Now that it's in theaters, everybody else has a chance to join them. Not that the film is outrageous. That would be asking too much. It is dim-witted, unfunny, too shallow to be offensive, and way too conventional to use all of those people standing around in the background wearing leather and chains and waiting hopefully for their cues. This is a movie made for nobody, about nothing.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/boat-trip-2003 of Boat Trip (21 March 2003) Reviews, Half-star reviews

“This despicable remake of the despicable 1978 film I Spit on Your Grave adds yet another offense: a phony moral equivalency. In the original, a woman foolishly thought to go on holiday by herself at a secluded cabin. She attracted the attention of depraved local men, who raped her, one after the other. Then the film ended with her fatal revenge. In this film, less time is devoted to the revenge, and more time to verbal, psychological and physical violence against her. Thus it works even better as vicarious cruelty against women.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/i-spit-on-your-grave-2010 of I Spit on Your Grave (6 October 2010) Reviews, Zero star reviews

“Wild Wild West is a comedy dead zone. You stare in disbelief as scenes flop and die. The movie is all concept and no content; the elaborate special effects are like watching money burn on the screen. You know something has gone wrong when a story is about two heroes in the Old West, and the last shot is of a mechanical spider riding off into the sunset.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/wild-wild-west-1999 of Wild Wild West (30 June 1999) Reviews, One-star reviews

“It is an interesting law of romance that a truly strong woman will choose a strong man who disagrees with her over a weak one who goes along. Strength demands intelligence, intelligence demands stimulation, and weakness is boring. It is better to find a partner you can contend with for a lifetime than one who accommodates you because he doesn't really care. … Sixty seconds of wondering if someone is about to kiss you is more entertaining than 60 minutes of kissing. … Spill the beans, and the conversation is history. Speak in code, with wit and challenge, and the process of decryption is like foreplay.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/the-winslow-boy-1999 of The Winslow Boy (28 May 1999) Reviews, Three-and-a-half star reviews

“Here's a movie that stretches out every moment for more than it's worth, until even the moments of inspiration seem forced. Since the basic idea of the movie is a good one and there are talented people in the cast, what we have here is a film shot down by its own forced and mannered style.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/raising-arizona-1987 of Raising Arizona (20 March 1987) Reviews, One-and-a-half star reviews

“This movie is not merely bad, but incompetent. I get tapes in the mail from 10th graders that are better made than this… I have often asked myself, "What would it look like if the characters in a movie were animatronic puppets created by aliens with an imperfect mastery of human behavior?"”

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Roger Ebert

Now I know. Review http://www.rogerebert.com/reviews/friends-and-lovers-1999 of Friends & Lovers (30 April 1999) Reviews, Half-star reviews

“The Bucket List is a movie about two old codgers who are nothing like people, both suffering from cancer that is nothing like cancer, and setting off on adventures that are nothing like possible. I urgently advise hospitals: Do not make the DVD available to your patients; there may be an outbreak of bedpans thrown at TV screens.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/the-bucket-list-2008 of The Bucket List (10 January 2008) Reviews, One-star reviews

“A movie should present its characters with a problem and then watch them solve it, not without difficulty. So says an old and reliable screenplay formula. Countless movies have been made about a boy and a girl who have a problem (they haven't slept with each other) and after difficulties (family, war, economic, health, rival lover, stupid misunderstanding) they solve it by sleeping with each other. Now we have a movie about two homosexuals that follows the same reliable convention.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/latter-days-2004 of Latter Days (13 February 2004) Reviews, Two-and-a-half star reviews

“To call it weird would be a cowardly evasion. It is creepy, eccentric, eerie, flaky, freaky, funky, grotesque, inscrutable, kinky, kooky, magical, oddball, spooky, uncanny, uncouth and unearthly. Especially uncouth. What I did was, I typed the word 'weird' and when that wholly failed to evoke the feelings the film stirred in me, I turned to the thesaurus and it suggested the above substitutes - and none of them do the trick, either.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/the-triplets-of-belleville-2003 of The Triplets of Belleville (26 December 2003) Reviews, Three-and-a-half star reviews

“Mad Dog Time is the first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time. Oh, I've seen bad movies before. But they usually made me care about how bad they were. Watching Mad Dog Time is like waiting for the bus in a city where you're not sure they have a bus line…Mad Dog Time should be cut into free ukulele picks for the poor.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/mad-dog-time-1996 of Mad Dog Time (29 November 1996) Reviews, Zero star reviews

“Mandingo is racist trash, obscene in its manipulation of human beings and feelings, and excruciating to sit through in an audience made up largely of children, as I did last Saturday afternoon. The film has an "R" rating, which didn't keep many kids out, since most came with their parents… if [Chicago] believes Mandingo should be shown to children, then there are no possible standards left and the only thing to do is transfer the censors to the parks department, where they can supervise paper‑plate‑ throwing contests.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/mandingo-1975 of Mandingo (25 July 1975) Reviews, Zero star reviews

“The Man in the Moon is like a great short story, one of those masterpieces of language and mood where not one word is wrong, or unnecessary. It flows so smoothly from start to finish that it hardly even seems like an ordinary film. Usually I am aware of the screenwriter putting in obligatory scenes. I can hear the machinery grinding. Not this time. Although, in retrospect, I can see how carefully the plot was put together, how meticulously each event was prepared for, as I watched the film I was only aware of life passing by.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/the-man-in-the-moon-1991 of The Man in the Moon (4 October 1991) Reviews, Four star reviews

“I read all the movie reviews, especially those of Ebert, a graceful and witty prose stylist with profound erudition, whose reviews are worth reading just for themselves, whether or not I have any intention of viewing the movie … Ebert, the smart and handsome one, gave thumbs up to my first movie Garfield: The Movie], but [Richard] Roeper, the other one, gave thumbs down and was particularly unkind. He went on forever attacking Ebert for liking Garfield. This from a man with enough taste to praise Duma. How very disappointing. One of Roeper's complaints was that I was animated and all of the other characters in the movie were "real." Do you have any idea how a statement like that hurts an actor who has worked all of his life as a media cat? Yes, Richard Roeper, I was animated. Read my lips: I am a character in a comic strip.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/garfield-a-tail-of-two-kitties-2006 of Garfield: A Tail of Two Kitties, written in the first person as Garfield. (16 June 2006) Reviews, Three star reviews

“I do not demand that all movies have a story to pull us from beginning to end, and indeed one of the charms of The Big Lebowski, the Coens' previous film, is how its stoned hero loses track of the thread of his own life. But with O Brother, Where Are Thou? I had the sense of invention set adrift; of a series of bright ideas wondering why they had all been invited to the same film.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/o-brother-where-art-thou-2000 of O Brother, Where Art Thou? (29 December 2000) Reviews, Two-and-a-half star reviews

“[W]hat Husbands and Wives argues is that many "rational" relationships are actually not as durable as they seem, because somewhere inside every person is a child crying me! me! me! We say we want the other person to be happy. What we mean is, we want them to be happy with us, just as we are, on our terms… Beneath the urgency of all the older characters - both men, both women, and even the older dating partners they experiment with - is the realization that life is short, that time is running out, that life sells you a romantic illusion and neglects to tell you that you can't have it, because when you take any illusion and make it flesh, its hair begins to fall out, and it has B. O., and it asks you what your sign is. True love involves loving another's imperfections, which are the parts that tend to endure.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/husbands-and-wives-1992 of Husbands and Wives (18 September 1992) Reviews, Three-and-a-half star reviews

“That the universe, as was once thought, expands and contracts indefinitely, one Big Bang collapsing into another one, seemed reasonable enough. But in both models of the universe, what caused the first Big Bang? Or was there a first Big Bang, any more than a last number? If there was a first cause, was there a first causer? Did Big Bangs just happen to happen? Can we name the first causer “God”? We can name it anything we want. I can name it after myself. It is utterly insignificant what it is called, because we would be giving a name to something that falls outside all categories of thought and must be unknowable and irrelevant to knowledge. So naming it is a futile enterprise. The word “God” is unhelpful because it implies it has a knowable definition.”

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Roger Ebert

Forrás: Life Itself : A Memoir (2011), Ch. 54 : How I Believe In God

“Life's missed opportunities, at the end, may seem more poignant to us than those we embraced — because in our imagination they have a perfection that reality can never rival.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/the-sleepy-time-gal-2002 of The Sleepy Time Gal (22 November 2002) Reviews, Three-and-a-half star reviews

“The vast majority of the members of all religions, I believe and would argue, don't want to kill anybody. They want to love and care for their families, find decent work that sustains life and comfort, live in peace and get along with their neighbors. It is a deviant streak in some humans, I suspect, that drives them toward self-righteous violence, and uses religion as a convenient alibi… I am trying as hard as I can to imagine the audience for this movie. Every time I make any progress, it scares me.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/september-dawn-2007 of September Dawn (24 August 2007) Reviews, Zero star reviews

“Last year, I reviewed a nine-hour documentary about the lives of Mongolian yak herdsmen, and I would rather see it again than sit through The Frighteners.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/the-frighteners-1996 of The Frighteners (19 July 1996) Reviews, One-star reviews

“There have been articles lately asking why the United States is so hated in some parts of the world. As this week's Exhibit A from Hollywood, I offer Zoolander, a comedy about a plot to assassinate the prime minister of Malaysia because of his opposition to child labor. You might want to read that sentence twice. The logic: Child labor is necessary to the economic health of the fashion industry, and so its opponents must be eliminated…if the Malaysians made a comedy about the assassination of the president of the United States because of his opposition to slavery, it would seem approximately as funny to us as Zoolander would seem to them.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/zoolander-2001 of Zoolander (28 September 2001) Reviews, One-star reviews

“Troy is based on the epic poem The Iliad by Homer, according to the credits. Homer's estate should sue.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/troy-2004 of Troy (14 May 2004) Reviews, Two star reviews

“I was noodling around Rotten Tomatoes, trying to determine who played the bank's security chief, and noticed the movie had not yet been reviewed by anybody. Hold on! In the "Forum" section for this movie, "islandhome" wrote at 7:58 a. m. Jan. 8: "review of this movie … tonight i'll post." At 11:19 a. m. Jan. 10, "islandhome" was finally back with the promised review. It is written without capital letters, flush left like a poem, and I quote it verbatim, spelling and all:
:hello sorry i slept when i got back
:well it was kinda fun
:it could never happen in the way it was portraid
:but what ever its a movie
:for the girls most will like it
:and the men will not mind it much
:i thought it was going to be kinda like how to beat the high cost of living
:kinda the same them but not as much fun
:ill give it a 4 0ut of 10
I read this twice, three times. I had been testing out various first sentences for my own review, but somehow the purity and directness of islandhome's review undercut me. It is so final. "for the girls most will like it/and the men will not mind it much."”

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Roger Ebert

How can you improve on that? It's worthy of Charles Bukowski. ...The bottom line is some girls will like it, the men not so much, and I give it 1½ stars out of 4. Review http://www.rogerebert.com/reviews/mad-money-2008 of Mad Money (17 January 2008) Reviews, One-and-a-half star reviews

“Terri (Hilary Duff)'s new roommate is Denise (Dana Davis), who plans to work hard for a scholarship, and resents Terri as a distraction. Sizing up Terri's wardrobe and her smile, she tells her: "You're like some kind of retro Brady Buncher."”

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Roger Ebert

I hate it when a movie contains its own review. Review http://www.rogerebert.com/reviews/raise-your-voice-2004 of Raise Your Voice (8 October 2004) Reviews, One-star reviews

“If you plan to miss this movie, better miss it quickly; I doubt if it'll be around to miss for long.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/americathon-1979 of Americathon (1 January 1979) Reviews, Half-star reviews

“One hopeful sign that the filmmakers can learn and grow is that the sequel does not contain a single pie, if you know what I mean.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/american-pie-2-2001 of American Pie 2 (10 August 2001) Reviews, Three star reviews

“The characters in this movie should be arrested for loitering with intent to moan. Never have teenagers been in greater need of a jump-start. Granted some of them are more than 100 years old, but still: their charisma is by Madame Tussaud. The Twilight Saga: New Moon takes the tepid achievement of Twilight (2008), guts it, and leaves it for undead. You know you're in trouble with a sequel when the word of mouth advises you to see the first movie twice instead. Obviously the characters all have. Long opening stretches of this film make utterly no sense unless you walk in knowing the first film, and hopefully both Stephanie Meyer novels, by heart. Edward and Bella spend murky moments glowering at each other and thinking, So, here we are again.”

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Roger Ebert

Review http://www.rogerebert.com/reviews/the-twilight-saga-new-moon-2009 of The Twilight Saga: New Moon (18 November 2009) Reviews, One-star reviews