Pek Namdzsun idézet

Pek Namdzsun dél-koreai születésű amerikai művész. Neve a videóművészetet és a komputerművészetet fémjelzi. Wikipedia  

✵ 20. július 1932 – 29. január 2006
Pek Namdzsun fénykép
Pek Namdzsun: 10   idézetek 0   Kedvelés

Pek Namdzsun: Idézetek angolul

“I want to shape the TV screen canvas
as precisely as Leonardo,
as freely as Picasso,
as colorfully as Renoir,
as profoundly as Mondrian,
as violently as Pollock
and as lyrically as Jasper Johns.”

Paik (1969) Versatile Color TV Synthesizer, Manifesto, cited in: Edith Decker-Phillips. Paik Video, Barrytown, Limited, 1998. p. 154
1960s

“Cybernated art is very important, but art for cybernated life is
more important, and the latter need not be cybernated....
Cybernetics, the science of pure relations, or relationship
itself, has its origin in karma...
The Buddhists also say
Karma is samsara
Relationship is metempsychosis”

Nam June Paik, “Cybernated Art,” in Manifestos, Great Bear Pamphlets, (New York: Something Else Press, 1966), p. 24; Quoted in: Edward A. Shanken, " Cybernetics and Art: Cultural Convergence in the 1960s http://www.artexetra.com//CyberneticsArtCultConv.pdf," in: From Energy to Information: Representation in Science, Technology, Art, and Literature, Stanford University Press, Bruce Clarke and Linda Dalrymple Henderson (eds.), 2002.
1960s

“I am a poor man from a poor country, so I have to be entertaining every second.”

Attributed in: Yuji Takahashi " For Paik http://www.suigyu.com/yuji/en-text/paik.html," exhibition catalogue “ Bye-bye Nam June Paik http://www.watarium.co.jp/exhibition/0606_paik_en.html” at Watarium Museum, 2006.
1970s

“I make technology ridiculous.”

Leigh Landy, Antje von Graevenitz. " 'I MAKE TECHNOLOGY RIDICULOUS' — THE UNUSUAL DIALECTICS OF NAM JUNE PAIK," in: Leigh Landy (ed.) 1992. Technik, p. 79
1970s

“By using TV as a bra… the most intimate belonging of a human being, we will demonstrate the human use of technology, and also stimulate viewers… to look for the new, imaginative and humanistic ways of using our technology.”

Statement on TV Bra for a Living Scultpure (1969), cited in: C. A. Xuan Mai Ardia, "[http://artradarjournal.com/2014/10/24/nam-june-paik-becoming-robot-new-york/ Nam June Paik: “Becoming Robot” in New York – in pictures," at Art Radar journal, posted on 24/10/2014
1960s

“Without electricity, there can be no art.”

Nam June Paik, (c. 1976) in "Nam June Paik retrospective, Liverpool" by Emma O'Kelly in Wallpaper, 20 December 2010 (at archive.org https://web.archive.org/web/20101222082827/http://www.wallpaper.com/art/nam-june-paik-retrospective-liverpool/5045).
1970s

“It is the historical necessity, if there is a historical necessity in history, that a new decade of electronic television should follow to the past decade of electronic music.”

Nam June Paik (1965), as cited in: David Dunn, " A History of Electronic Music Pioneers http://vasulka.org/Kitchen/PDF_Eigenwelt/pdf/021-062.pdf." ders.(Hrsg.), Eigenwelt der Apparate-Welt.(Katalog), Linz (1992): 21-62.
1960s

“Art is just fraud. You just have to do something nobody else has done before.”

In interview with a Korean newspaper, quoted in: KoreAm Journal, Vol. 17 (2006), p. 79
1970s

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