The Paris Review interview (1984)
Context: Beckett shows death; his people are in dustbins or waiting for God. (Beckett will be cross with me for mentioning God, but never mind.) Similarly, in my play The New Tenant, there is no speech, or rather, the speeches are given to the Janitor. The Tenant just suffocates beneath proliferating furniture and objects — which is a symbol of death. There were no longer words being spoken, but images being visualized. We achieved it above all by the dislocation of language. … Beckett destroys language with silence. I do it with too much language, with characters talking at random, and by inventing words.
“Show me a god that does not demand mortal suffering.
Show me a god that celebrates diversity, a celebration that embraces even non-believers, and is not threatened by them.
Show me a god that understands the meaning of peace. In life, not in death.”
Source: The Bonehunters
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Steven Erikson 136
Canadian fantasy author 1959Related quotes
God Only Knows (co-written with Tony Asher)
Pet Sounds (1966)
“The way you use the word "God" does not show whom you mean — but, rather, what you mean.”
Source: Culture and Value (1980), p. 50e
Free Culture (2004)
Context: The law should regulate in certain areas of culture — but it should regulate culture only where that regulation does good. Yet lawyers rarely test their power, or the power they promote, against this simple pragmatic question: "Will it do good?" When challenged about the expanding reach of the law, the lawyer answers, "Why not?"
We should ask, "Why?" Show me why your regulation of culture is needed. Show me how it does good. And until you can show me both, keep your lawyers away.
“Show me a prison, show me a jail
Show me a pris'ner whose face has grown pale”
"There but for Fortune" (1963); Ochs here paraphrases a proverbial expression "There, but for the grace of God, go I", which was itself a paraphrase of John Bradford's expression on seeing other prisoners being led to their execution as heretics to be burned at the stake: There, but for the grace of God, goes John Bradford. (as quoted in Problems in the Relations of God and Man (1911) by Clement Charles Julian Webb, p. 107)
Lyrics
Context: Show me a prison, show me a jail
Show me a pris'ner whose face has grown pale
And I'll show you a young man
With many reasons why
There but for fortune, go you or I.
... The perspective on ourselves that we get when we take the point of view of the universe also yields as much objectivity as we need if we are to find a cause that is worthwhile in a way that is independent of our own desires. The most obvious such cause is the reduction of pain and suffering, wherever it is to be found.
p. 238 http://books.google.com/books?id=BoDMBgAAQBAJ&pg=PT238
Writings on an Ethical Life (2000)
Source: Meditations on the Cross (1996), Back to the Cross, p. 3.
Context: Before Jesus leads His disciples into suffering, humiliation, disgrace, and disdain, He summons them and shows Himself to them as the Lord in God's glory. Before the disciples must descend with Jesus into the abyss of human guilt, malice, and hatred, Jesus leads them to a high mountain from which they are to receive help. Before Jesus' face is beaten and spat upon, before his cloak is torn and splattered with blood, the disciples are to see Him in his divine glory. His face shines like the face of God and light is the garment he wears.