“Let us ask the Gods not for possessions, but for things to do; happiness is in making things rather than consuming them.”

Variant: The secret of happiness is very simply this: let your interests be as wide as possible, and let your reactions to the things and persons that interest you be as far as possible friendly rather than hostile
Source: 1930s, The Conquest of Happiness (1930)

Games for Actors and non-Actors (1992)
Context: In truth the Theatre of the Oppressed has no end, because everything which happens in it must extend into life…. The Theatre of the Oppressed is located precisely on the frontier between fiction and reality – and this border must be crossed. If the show starts in fiction, its objective is to become integrated into reality, into life. Now in 1992, when so many certainties have become so many doubts, when so many dreams have withered on exposure to sunlight, and so many hopes have become as many deceptions – now that we are living through times and situations of great perplexity, full of doubts and uncertainties, now more than ever I believe it is time for a theatre which, at its best, will ask the right questions at the right times. Let us be democratic and ask our audiences to tell us their desires, and let us show them alternatives. Let us hope that one day – please, not too far in the future – we’ll be able to convince or force our governments, our leaders, to do the same; to ask their audiences – us – what they should do, so as to make this world a place to live and be happy in – yes, it is possible – rather than just a vast market in which we sell our goods and our souls. Let’s hope. Let’s work for it!

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Source: Little, Big

Book I, Ch. 2
Progress and Poverty (1879)
Context: It is too narrow an understanding of production which confines it merely to the making of things. Production includes not merely the making of things, but the bringing of them to the consumer. The merchant or storekeeper is thus as truly a producer as is the manufacturer, or farmer, and his stock or capital is as much devoted to production as is theirs.

Opening address to the Pacific Regional Media Training Workshop on "Women's Issues, Women's Voices," January 2005

Ziglar has often used this saying, but it originates with Phillips Brooks, as quoted in ‪Primary Education‬ (1916) by Elizabeth Peabody.
Misattributed

As quoted in Primary Education (1916) by Elizabeth Peabody, p. 190