“I am much obliged to you for your last letter, and the lessons reed, before. I think I now begin to see a little into the nature of modulation and the introduction of flats and sharps ; and when we meet you shall hear me play extempore..”

— Thomas Gainsborough

his friend William Jackson of Exeter was composer and organist <br class="br">letter to his friend William Jackson of Exeter, from Bath, 4 June 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 385 (Appendix A - Letter VIII) <br class="br">1760s

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Thomas Gainsborough28

English portrait and landscape painter 1727–1788

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“I am much obliged to you for your last letter, and the lessons reed, before. I think I now begin to see a little into the nature of modulation and the introduction of flats and sharps; and when we meet you shall hear me play extempore.. [his friend William Jackson of Exeter was composer and organist]”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

1755 - 1769

“Only a little while now and we shall be again together and with us those other noble and well-beloved souls gone before. I am sure I shall meet you and them; that you and I shall talk of a thousand things and of that unforgettable day and of all that followed it; and that we shall clearly see that all were parts of an infinite plan which was wholly wise and good.”

Richard Maurice Bucke (1837–1902) prominent Canadian psychiatrist in the late 19th century

Dedication
Cosmic Consciousness (1901)

“‘ Never speak of a last letter to anbody, doi you hear me? for it may well be your last, if you dwell on it too much!’”

Douglas Reeman (1924–2017) British author

For My Country's Freedom, Cap 16 "The Strength of a Ship"

“I am glad to learn that the Parliament Bill has been passed for the Darlington Railway. I am much obliged by the favourable sentiments you express towards me, and shall be happy if I can be of service in carrying into execution your plans.”

George Stephenson (1781–1848) English civil engineer and mechanical engineer

Letter to Edward Pease (1821-04-28)

“I started lessons when I was three and a half. In the beginning I just played a little but, when I was five, I played my first recital, and from that point my parents had high hopes for me; especially my father.”

Lang Lang (1982) Chinese pianist

theguardian.com http://www.theguardian.com/lifeandstyle/2011/may/14/lang-lang-piano-china-father.

“I am not to speak to you, I am to think of you when I sit alone or
wake at night alone,
I am to wait, I do not doubt I am to meet you again,
I am to see to it that I do not lose you.”

Walt Whitman book Fulles d'herba

Source: Leaves of Grass

“I received your foolish and impudent letter. Any violence offered me I shall do my best to repel; and what I cannot do for myself, the law shall do for me. I hope I shall never be deterred from detecting what I think a cheat, by the menaces of a ruffian. What would you have me retract? I thought your book an imposture; I think it an imposture still. For this opinion I have given my reasons to the publick, which I here dare you to refute. Your rage I defy. Your abilities, since your Homer, are not so formidable; and what I hear of your morals, inclines me to pay regard not to what you shall say, but to what you shall prove. You may print this if you will.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

Samuel Johnson, letter to James Macpherson (20 January 1775), quoted in James Boswell Life of Johnson, Vol. I (1791), p. 449.
Criticism

“I have lost a bit of my sight, much of my hearing. At conferences, I can't see the presentations and can't hear well. But I think more now than when I when I was twenty. The body can do whatever it likes. I am not the body: I am the mind.”

Rita Levi-Montalcini (1909–2012) Italian neurologist

Source: In an interview with Paolo Giordano, 100 anni di futuro, Wired, n. 1, marzo 2009. <br class="br">Source: Cited by Elisabetta Intini, Addio alla signora della scienza, le sue frasi più belle http://www.focus.it/scienza/addio-alla-signora-della-scienza-le-sue-frasi-piu-belle, Focus.it, 31 dicembre 2012. <br class="br">Source: Cited in Addio Rita Levi Montalcini, le frasi più belle di un genio gentile http://www.vanityfair.it/news/italia/12/12/30/rita-levi-montalcini-morta-frasi, VanityFair.it, 30 dicembre 2012.

“Everything you tell me in your last letter, which is to say that to spend more time with me they will give up going to Paris, fills me with the greatest pleasure... I find myself much better, and I hope to be back where I was before... I am happy to be better to receive my most beloved travelers. This improvement I owe to Molina.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to Javier (his only son), from Madrid, Summer of 1827; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 401 – note 15
1820s

“That sound in tune to you? … Sounds sharp to me. Sounds like I'm playing sharp all the time. My singing teacher told us you should do that. Maybe I got it from her. She said singers when they grow old have a tendency to go flat. So if you sing sharp as a young person, as you get older and go flat, you'll be in tune. In other words, it's never thought good to be flat. It means you can't get to the tone.”

Charles Mingus (1922–1979) American jazz double bassist, composer and bandleader

Listening to a long solo on Mingus at Montery, as quoted in Mingus/Mingus : Two Memoirs (1989) by Janet Coleman and Al Young, p. 10

“I am much obliged to you for your last letter, and the lessons reed, before. I think I now begin to see a little into the nature of modulation and the introduction of flats and sharps ; and when we meet you shall hear me play extempore..”

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Thomas Gainsborough28

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