“This creature comes from out the dim
Far centuries, beyond the rim
Of time's remotest reach or stir.”
Joaquin Miller (1837–1913) American judge
IV, p. 28.
The Ship in the Desert (1875)
"Dreamland", st. 1 (1845).
Context: By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have reached these lands but newly
From an ultimate dim Thule —
From a wild weird clime that lieth, sublime,
Out of SPACE — out of TIME.
“This creature comes from out the dim
Far centuries, beyond the rim
Of time's remotest reach or stir.”
Joaquin Miller (1837–1913) American judge
IV, p. 28.
The Ship in the Desert (1875)
H. G. Wells book The War of the Worlds
Book I, Ch. 7: How I Reached Home
The War of the Worlds (1898)
Christopher Alexander book The Timeless Way of Building
Cited in: Peter Coad (1992) " Object-oriented patterns http://www.cs.washington.edu/education/courses/cse503/04sp/readings/designpattern.pdf." Communications of the ACM 35.9. p. 152 <br class="br">The Timeless Way of Building (1979)
Cassandra Clare book City of Bones
Simon and Clary, pg. 472-473
Source: The Mortal Instruments, City of Bones (2007)
“Men of all lands and climes are brothers.”
Joseph H. Hertz (1872–1946) British rabbi
Genesis II, 7 (p. 7)
The Pentateuch and Haftorahs (one-volume edition, 1937, ISBN 0-900689-21-8
Marcel Duchamp (1887–1968) French painter and sculptor
1951 - 1968, The Creative Act', 1957
Context: Let us consider two important factors, the two poles of the creation of art: the artist on one hand, and on the other the spectator who later becomes the posterity; to all appearances the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.