
“Politics is the art of preventing people from taking part in affairs which properly concern them.”
Tel Quel (1943)
The Art of Persuasion
Context: This art, which I call the art of persuading, and which, properly speaking, is simply the process of perfect methodical proofs, consists of three essential parts: of defining the terms of which we should avail ourselves by clear definitions, of proposing principles of evident axioms to prove the thing in question; and of always mentally substituting in the demonstrations the definition in the place of the thing defined.
“Politics is the art of preventing people from taking part in affairs which properly concern them.”
Tel Quel (1943)
“Art is a demonstration of which nature is the proof.”
L'art est une démonstration dont la nature est la preuve.
François le Champi, Introduction (1848); Jane Minot Sedgwick (trans.) François the Waif {New York: H. M. Caldwell, 1894) p. 17
“Life may as properly be called an art as any other.”
Book I, Ch. 1
Amelia (1751)
Quote of Malevich, 1927 in: Artists on Art; from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 451
Malevich valued Cezanne's art as a temporarily necessary but still 'provincial art' in the long developing line of modern art
1921 - 1930
Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.182
Source: As quoted in Pearls of Wisdom: A Harvest of Quotations From All Ages (1987) by Jerome Agel and Walter D. Glanze, p. 46. From The Importance of Living: "besides the noble art of getting things done, there is a nobler art of leaving things undone" (p. 162), "the wisdom of life consists in the elimination of non-essentials" (p. 10).
As quoted in "In conversation with Kate Bush" by Elio Iannacci in MacLeans (28 November 2016)
Context: The great thing about art on any level is that it can speak to all people if it’s achieved properly. When I’ve heard a piece of music or seen a painting that moves me, it gives me something. That’s such an incredibly special experience. I have intentions as a writer, but people — when they’re listening to a track — will take from it what they interpret. Sometimes people mishear my lyrics and think a song’s about something it isn’t. That doesn’t matter. If it speaks to them and they get something positive from it, it’s great.
Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 90