“Some people get it. Most people never will.
But that’s art.”
Source: Short fiction, Zima Blue and Other Stories (2006), Zima Blue (p. 403)
Donald Judd (1987) Complete writings, 1975-1986. p. 111
1980
Context: It takes a great deal of time and thought to install work carefully. This should not always be thrown away. Most art is fragile and some should be placed and never moved again. Some work is too large, complex and expensive to move. Somewhere a portion of contemporary art has to exist as an example of what the art and its context were meant to be.
“Some people get it. Most people never will.
But that’s art.”
Source: Short fiction, Zima Blue and Other Stories (2006), Zima Blue (p. 403)
Ad Reinhardt (1913–1967) American painter
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155
Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party
Other remarks <br class="br">Source: Adolf Hitler as in a speech the summer before the Degenerate Art Exhibition as quoted without citation in " Degenerate art: Why Hitler hated modernism http://www.bbc.com/news/magazine-24819441" by Lucy Burns, BBC.
Isa Genzken (1948) German sculptor
after 2010, Isa Genzken, the artist who doesn't do interviews' (2014)
Julian of Norwich (1342–1416) English theologian and anchoress
The Sixteenth Revelation, Chapter 72
Context: I saw that two contrary things should never be together in one place. The most contrary that are, is the highest bliss and the deepest pain. The highest bliss that is, is to have Him in clarity of endless life, Him verily seeing, Him sweetly feeling, all-perfectly having in fulness of joy. And thus was the Blissful Cheer of our Lord shewed in Pity: in which Shewing I saw that sin is most contrary, — so far forth that as long as we be meddling with any part of sin, we shall never see clearly the Blissful Cheer of our Lord. And the more horrible and grievous that our sins be, the deeper are we for that time from this blissful sight. And therefore it seemeth to us oftentimes as we were in peril of death, in a part of hell, for the sorrow and pain that the sin is to us. And thus we are dead for the time from the very sight of our blissful life. But in all this I saw soothfastly that we be not dead in the sight of God, nor He passeth never from us. But He shall never have His full bliss in us till we have our full bliss in Him, verily seeing His fair Blissful Cheer. For we are ordained thereto in nature, and get thereto by grace. Thus I saw how sin is deadly for a short time in the blessed creatures of endless life.
Arshile Gorky (1904–1948) Armenian-American painter
Source: posthumous, Astract Expressionist Painting in America, p. 64, in an unpublished letter of Gorky
Henri Gaudier-Brzeska (1891–1915) French painter and sculptor
Letter to Sophie Brzeska-Savage Messiah By H S (Jim) Ede Heinimann (1931)
H. Havelock Ellis (1859–1939) British physician, writer, and social reformer
Source: The Dance of Life http://www.gutenberg.net.au/ebooks03/0300671.txt (1923), Ch. 2