
“A computer shall not harm your work or, through inaction, allow your work to come to harm.”
The Humane Interface (2001)
Free Culture (2004)
Context: It is valuable copyrights that are responsible for terms being extended. Mickey Mouse and "Rhapsody in Blue." These works are too valuable for copyright owners to ignore. But the real harm to our society from copyright extensions is not that Mickey Mouse remains Disney's. Forget Mickey Mouse. Forget Robert Frost. Forget all the works from the 1920s and 1930s that have continuing commercial value. The real harm of term extension comes not from these famous works. The real harm is to the works that are not famous, not commercially exploited, and no longer available as a result.
“A computer shall not harm your work or, through inaction, allow your work to come to harm.”
The Humane Interface (2001)
“The real concept of morality is benefiting people and avoiding harming them.”
Understanding Islam, "Morals and Ethics" http://vod.dmi.ae/media/96716/Ep_03_Morals_and_Ethics Dubai Media
“the need for stupefying work where it is no longer a real necessity.”
Source: One-Dimensional Man (1964), p. 7
“Can she be divorced? I asked. And famous for her commercials and ideas?”
Dreamland (2000)
" Queens of the Stone Age: Josh Homme comes back from the brink http://www.guardian.co.uk/music/2013/jun/01/queens-stone-age-like-clockwork" The Guardian (June 1, 2013)
Standing by Words: Essays (2011), Poetry and Marriage: The Use of Old Forms (1982)
Context: It may be, then, that form serves us best when it works as an obstruction to baffle us and deflect our intended course. It may be that when we no longer know what to do we have come to our real work and that when we no longer know which way to go we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings.
“Such as harm is when it hurts me not, is good which avails me not.”
The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations