“"Found the short story collection, PIGEONS FROM HELL by Robert E. Howard the creator of Conan the Barbarian when I was thirteen, or fourteen. It was the first dark fantasy and heroic fantasy I’d ever read. In that moment I knew not only did I want to be a writer, but this is what I wanted to write." ~ Laurel K. Hamilton, About Laurel K. Hamilton,”

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Robert E. Howard 145
American author 1906–1936

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“Robert E. Howard's "Pigeons from Hell," one of the finest horror stories of our century”

Robert E. Howard (1906–1936) American author

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Context: "Thriller was the first television program to discover the goldmine in those back issues of Weird Tales … Robert E. Howard's "Pigeons from Hell," one of the finest horror stories of our century, was adapted, and remains the favorite of many who remember Thriller with fondness. ~ Stephen King, Danse Macabre, p. 138,

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“I just sat there thunderstruck. I realized that's exactly what I had been doing for over a decade with my story. I was writing heroic fantasy, while at the same time I was satirizing heroic fantasy.”

Patrick Rothfuss (1973) American fantasy writer

Interview with Fantasy Book Critic (25 May 2007)
Context: Anyway, I was listening to Beagle answer a question on the panel, he said something along the lines of, "I'd never want to write The Last Unicorn again. It was excruciatingly hard, because I was writing a faerie tale while at the same time writing a spoof of a faerie tale."
I just sat there thunderstruck. I realized that's exactly what I had been doing for over a decade with my story. I was writing heroic fantasy, while at the same time I was satirizing heroic fantasy.
While telling his story, Kvothe makes it clear that he's not the storybook hero legends make him out to be. But at the same time, the reader sees that he's a hero nonetheless. He's just a hero of a different sort.

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“He had this nasty habit of pulling out a little notebook in the middle of a conversation and jotting down, as he said, “story ideas.” Later on, after I’d transferred to S.F. State and taken his writing course, he asked me if I wanted to read his first draft of Wake Up, Stupid! I kept it for a week and returned it to him at the next short story seminar. I only read the first paragraph. After that, I was no longer afraid of the intellectuals. I knew I could tell a better story.”

Source: Autobiography of a Brown Buffalo (1972), p. 100.
Context: Since I was about ten years younger than this crew of alcoholics, I just listened and filled their cups with cheap wine. After they’d had enough, I’d tell them of my escapades in Riverbank and in Panama where I’d worked with the Southern Baptist Convention and Jesus Christ to save the black souls of niggers, spics and Indians. I used to keep my eye on Harris when I told my stories. He had this nasty habit of pulling out a little notebook in the middle of a conversation and jotting down, as he said, “story ideas.” Later on, after I’d transferred to S. F. State and taken his writing course, he asked me if I wanted to read his first draft of Wake Up, Stupid! I kept it for a week and returned it to him at the next short story seminar. I only read the first paragraph. After that, I was no longer afraid of the intellectuals. I knew I could tell a better story.

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“I think it’s relative to the story you’re writing. Some novels are filled with summary and some are filled with scenes. Others are a beautiful, confusing mix, of course. Ultimately, I wanted to write a novel that I’d want to read later.”

Jon Pineda (1971) American writer

On choosing a story writing method in “7 QUESTIONS WITH JON PINEDA” https://hyphenmagazine.com/blog/2018/06/7-questions-jon-pineda in Hyphen Magazine (2018 Jun 7)

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