“In nearly all the papers, all composure was lost. The critics would begin by saying: 'there is no need to devote much space to the Cubists, who are utterly without importance', and then they furiously gave them seven columns out of the ten that were taken up, at that time, by the Salon.”

— Albert Gleizes

after 1920, The Epic, From immobile form to mobile form (1925)

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Albert Gleizes 21

French painter 1881–1953

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