“The first thing the Muslim Sultanate of Delhi started on was construction of impressive buildings. The first sultan Qutbuddin Aibak had to establish Muslim power in India and to raise buildings "as quickly as possible, so that no time might be lost in making an impression on their newly-conquered subjects". Architecture was considered as the visual symbol of Muslim political power. It denoted victory with authority. The first two buildings of the early period in Delhi are the Qutb Minar and the congregational mosque named purposefully as the Quwwat-ul-Islam (might of Islam) Masjid. This mosque was commenced by Aibak in 592/1195. It was built with materials and gold obtained by destroying 27 Hindu and Jain temples in Delhi and its neighborhood. A Persian inscription in the mosque testifies to this. The Qutb Minar, planned and commenced by Aibak sometime in or before 1199 and completed by Iltutmish, was also constructed with similar materials, "the sculptured figures on the stones being either defaced or concealed by turning them upside down". A century and a quarter later Ibn Battutah describes the congregational mosque and the Qutb Minar. "About the latter he says that its staircase is so wide that elephants can go up there." About the former his observations are interesting. "Near the eastern gate of the mosque their lie two very big idols of copper connected together by stones. Every one who comes in and goes out of the mosque treads over them. On the site of this mosque was a bud khana, that is an idol house. After the conquest of Delhi it was turned into a mosque."”

Quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 5 (quoting Gordon Sanderson, 'Archaeology at the Qutb', Archaeological Survey of India Report, 1912-13; Ibn Battutah)

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Turkic peoples king of Northwest India 1150–1210

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“During Muslim rule in India, foreign and Indian Muslims were freely bestowed jobs and gifts. Foreign Muslims were most welcome here. They came in large numbers and were well provided for. Muhammad Tughlaq was specially kind to them, as averred by Ibn Battutah. He writes that "the countries contiguous to India like Yemen, Khurasan and Fars are filled with anecdotes about… his generosity to the foreigners in so far as he prefers them to the Indians, honours them, confers on them great favours and makes them rich presents and appoints them to high offices and awards them great benefits". He calls them aziz or dear ones and has instructed his courtiers not to address them as foreigners. 'The sultan ordered for me," writes Ibn Battutah, "a sum of six thousand tankahs, and ordered a sum of ten thousand for Ibn Qazi Misr. Similarly, he ordered sums to be given to all foreigners (a'izza) who were to stay at Delhi, but nothing was given to the metropolitans."… There are scores of instances of Muhammad Tughlaq's generosity to foreigners…. The point to note here is that under Sultan Muhammad so much wealth was awarded to so many deserving and undeserving foreign Muslims that at the close of his reign the Delhi treasury had become bankrupt. There was also the loss of popularity because "the people of India hate the foreigners (Persians, Turks, Khurasanis) because of the favour the sultan shows them."”

Muhammad bin Tughluq (1290–1351) Turkic Sultan of Delhi

Ibn Battutah, trs. Mahdi Husain, p. 105-140. quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 5

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“There are three departments of architecture: the art of building, the making of time-pieces, and the construction of machinery.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter III "The Departments of Architecture" Sec. 1

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