“I see badly, I hear badly, and I feel bad, but everything's fine.”
Source: Craig R. Whitney, " In France, A Citizen Turns 120 http://www.nytimes.com/1995/02/22/world/in-france-a-citizen-turns-120.html," The New York Times February 22, 1995.
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Jeanne Calment8
French supercentenarian who had the longest confirmed human… 1875–1934Related quotes
Nguyen Khanh (1927–2013) South Vietnamese soldier
American escalation and forcing out of Nguyen Khanh
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“You're going to get hurt yourself, and badly, if you take everything so hard.”
Madeleine L'Engle (1918–2007) American writer
Source: The Joys of Love
Dennis Miller (1953) American stand-up comedian, television host, and actor
Associated Press interview (26 January 2004) http://www.cnn.com/2004/SHOWBIZ/TV/01/26/tv.dennismiller.ap/, The Toronto Star (13 June 2004) http://www.thestar.com/NASApp/cs/ContentServer?pagenamethestar/Layout/Article_PrintFriendly&cArticle&cid1086991811111&call_pageid968867495754
“"If wine is fine, everything is fine, and if it's bad, never mind, as long as it is wine."”
Julián Hernández (1960)
"Si el vino está bien, todo está bien, y si está mal, da lo mismo, con tal de que sea vino..."
taken by Rock de Lux magazine.
Sarah Brightman (1960) British soprano, musical theatre actress, and dancer
The Trees They Grow So High, (1988)
Lauren Bacall (1924–2014) American actress, model
On her role in Designing Women (1957)
Private Screenings interview (2005)
Russell Brand book Revolution
Revolution (2014)
Context: How did it feel in there to you when you were a child, in the aquarium of your head? I was lonely in mine as the world swam by in immaculately choreographed schools, like an inaccessible gang of Nemos. I was only really at ease with my mum and animals, and I treated them pretty badly. If you feel how I felt, I have been taught a few techniques that might help you. Here’s one for a kick-off: You have to forgive everyone for everything. You can’t cling on to any blame that you may be using to make sense of the story of your life. Even me with my story of one nan that I love and another that I don’t—that story is being used to maintain a certain perspective of mine, a perspective that justifies the way I am, and by justifying the way I am I ensure that I stay the same. I’m no longer interested in staying the same; I’m interested in Revolution, that means I have to go back and change the story of my childhood.