“With astonishment Aschenbach noticed that the boy was entirely beautiful. His countenance, pale and gracefully reserved, was surrounded by ringlets of honey-colored hair, and with its straight nose, its enchanting mouth, its expression of sweet and divine gravity, it recalled Greek sculpture of the noblest period.”

Source: Death in Venice (1912), Ch. 3, as translated by David Luke

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Thomas Mann159

German novelist, and 1929 Nobel Prize laureate 1875–1955

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