“To see your own visage up there, it's terrifying. I have to see a film twice, the first time just to get over the shock: the fact that my face seems to be dripping off my skull into my chest.”

“He tapped my chest. 'Happy is here.' He tapped his own chest. 'Here.'
I looked down past my chin. 'Inside?'
'Inside.'
It was getting crowded in there. First angel. Now happy. It seemed there was more to me than cabbage and turnips.”

“I just wanna lay my head on your chest,
so I'm as close as it gets to your heart
We can fall apart, start over again”

“There're many things untold I need to get off my chest”

“The desire to never leave your side, the desire to never see you again. The desire to see your face asleep on the pillow beside my face and to see your eyes open in the morning when I lie next to you—just watching you, waiting for you to wake up.”

“The anguish I always feel when she's in pain wells up in my chest and threatens to register on my face.”

“My parents ask if I'm alright; I say "I've just been staying up too late.
I need to sleep" I need to do something!
To get this awful weight up off my chest,
keep her pretty ghost from chasing me!”

“I run upright mostly when I see daylight, so if you watch film you'll see I don't get hit in the chest much.”

“My painting is based on the fact that only what can be seen there is there. It really is an object. Any painting is an object and anyone who gets involved enough in this finally has to face up to the objectness of whatever it is that he's doing. He is making a thing.... all I want anyone to get out of my paintings, and all I ever get out of them, is the fact that you can see the whole idea without any confusion... What you see is what you see.”

“Fame is what gets people to go watch your film. I'm just glad to be in a film i believe in. And if it take's fame to get people there, then it's my job. But i'd rather be a ghost writer than have my name down.”