“The ultimate goal of all visual artistic activity is construction! Architects, painters and sculptors must learn again to know and understand the multi-faceted form of building in its entirety as well as its parts. Only then will they of their own accord fill their works with the architectonic spirit they have lost in the art of the salon. Let us establish a new guild of craftsmen without the presumption of class distinctions building a wall of arrogance between craftsmen and artists. Together let us call for, devise and create the construction of the future, comprising everything in one form: architecture, sculpture and painting.”

Manifesto (1919)

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Walter Gropius5

German architect (1883-1969) and founder of the Bauhaus Sch… 1883–1969

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“Art itself cannot be taught, but craftsmanship can. Architects, painters, sculptors are all craftsmen in the original sense of the word. Thus it is a fundamental requirement of all artistic creativity that every student undergo a thorough training in the workshops of all branches of the crafts.”

Walter Gropius (1883–1969) German architect (1883-1969) and founder of the Bauhaus School

As quoted in Paul Klee, 1879-1940 (2000) by w:Susanna Partsch, p. 47

“lf l am not mistaken, the words "art" and "artist" did not exist during the Renaissance and before: there were simply architects, sculptors, and painters, practicing a trade.”

M. C. Escher (1898–1972) Dutch graphic artist

1950's, On Being a Graphic Artist', 1953

“It is the things of the spirit, the arts of the country, which have always led mankind forward, and it is to this spirit that the craftsmen of the world must lend themselves.”

Aileen Osborn Webb (1892–1979) American patron of the arts

Zaiden, Emily. "Craft In America / The American Craft Council and Aileen Osborn Webb." Craft In America / The American Craft Council and Aileen Osborn Webb. N.p., n.d. Web. 19 Oct. 2013. <http://www.craftinamerica.org/artists_metal/story_585.php>.

“It has become obvious to the new architect that by virtue of his work he is taking an active part in the building of a new world. For us the work of an artist has no value 'as such'; it does not represent an end in itself; it has no intrinsic beauty. The value of a work of art is determined by its relationship to the community... The artist, or the creative worker, invents nothing; there is no such thing as divine inspiration. Thus we understand by the term 'reconstruction' the conquest of the unresolved, of the 'mysterious,' and the chaotic. In our [Russian] architecture, as in our entire life, we are striving to create a social order, i. e., to raise the instinctive to a conscious level.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

Quote from: 'Ideological Superstructure'
1926 - 1941, Rußland: Die Rekonstruktion der Architektur in der Sowjetunion' (1929)

“This book [full of linoleum prints] will be an alphabet of pictorial elements without text, which shall aim at establishing a larger scale of painting, a closer contact between the artist and the wall, and a new spirit of art accompanying architecture.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

In the introduction, (written in 1951) of his not published book: "Line Form and Color"; as quoted in "Ellsworth Kelly, a Retrospective", ed. Diane Waldman, Guggenheim museum, New York 1997, p. 22
1950 - 1968

“The new artist-society will consist of painters, sculptors and architects. The founders don’t intend that the character of the union will be determined by one single art movement. They believe that there is room for every important expression of this period and they intend the new union as a gathering place for the best young artists, who will collectively determine the character of the society.”

Charley Toorop (1891–1955) Dutch painter

translation from original Dutch: Fons Heijnsbroek
(original Dutch: tekst in circulaire van Charley Toorop, in het Nederlands:) De nieuwe vereeniging zal bestaan uit schilders, beeldhouwers en architecten. De oprichters stellen zich niet op het standpunt, dat het karakter der vereeniging door één enkele kunstrichting bepaald wordt. Zy gelooven dat voor iedere belangrijke uiting van deze tyd plaats is en bedoelen de nieuwe vereeniging als verzamelplaats voor de beste jonge kunstenaars, die gezamenlyk het karakter van de vereeniging bepalen.
text of Charley Toorop, in a circular for possible members of the new artist-society 'A.S.B.', Amsterdam 8 Dec. 1926; in the Archive J.J.P. Oud, Nederlands Architectuur museum, Rotterdam
before 1930

“It is true that for us art is not an end in itself, we have lost too many of our illusions for that. Art is for us an occasion for social criticism, and for real understanding of the age we live in... Dada was not a school of artists, but an alarm signal against declining values, routine and speculations, a desperate appeal, on behalf of all forms of art, for a creative basis on which to build a new and universal consciousness of art.”

Hugo Ball (1886–1927) German author, poet and one of the leading Dada artists

quoted by Richard Kostelanetz and Joseph Darby (eds.) in Classic Essays on Twentieth-Century Music; Schirmer, New York, 1996 ISBN 0028645812
after 1916

“The artist builds a framework, and the community fills it in.”

Sepandar Kamvar (1977) Iranian computer scientist

Syntax & Sage: Reflections on Software and Nature https://books.google.com/books/about/Syntax_Sage.html?id=Pe-ajgEACAAJ (2015)

“All my work is in a way founded on Japanese art... Japanese art, in decadence in its own country, takes root again among the French impressionist artists.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, Summer 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 510) p. 32 <br class="br">1880s, 1888

“Photography is not an art. Neither is painting, nor sculpture, literature or music. They are only different media for the individual to express his aesthetic feelings... You do not have to be a painter or a sculptor to be an artist. You may be a shoemaker. You may be creative as such. And, if so, you are a greater artist than the majority of the painters whose work is shown in the art galleries of today.”

Alfred Stieglitz (1864–1946) American photographer

'Is Photography a Failure?', Alfred Stieglitz, 'Sun: 5.', March 14, 1922; as quoted on Wikipedia

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Walter Gropius5

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