“Among the several sins that I have been accused of committing, none is more false than the one that I have, as the principal objective in my work, the spirit of research. When I paint my object is to show what I have found and not what I am looking for. In art intentions are not sufficient and, as we say in Spanish, love must be proved by facts and not by reasons…”

— Pablo Picasso

Paris 1923
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 311
Quotes, 1920's

Adopted from Wikiquote. Last update Sept. 29, 2023. History

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Pablo Picasso128

Spanish painter, sculptor, printmaker, ceramicist, and stag… 1881–1973

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“Of what I am, I know no more than that I am, but here no tie is necessary between subject and object. My own being is this tie, I am at once the subject knowing, and the object known of; and this reflection or return of the knowledge on itself is what I designate by the term I, if I have any determinate meaning.”

Johann Gottlieb Fichte book The Vocation of Man

Jane Sinnett, trans 1846 p. 50
The Vocation of Man (1800), Knowledge

“Who am I? Subject and object in one — contemplating and contemplated, thinking and thought of. As both must I have become what I am.”

Johann Gottlieb Fichte book The Vocation of Man

Jane Sinnett, trans 1846 p. 71
The Vocation of Man (1800), Faith

“!-- This is my most misunderstood book, and I have devoted some attention to trying to understand why. … --> I have been accused of having believed when I wrote Sex and Temperament that there are no sex differences … This, many readers felt, was too much. It was too pretty. I must have found what I was looking for. But this misconception comes from a lack of understanding of what anthropology means, of the open-mindedness with which one must look and listen, record in astonishment and wonder, that which one would not have been able to guess.”

Margaret Mead (1901–1978) American anthropologist

Preface of 1950 edition of Sex and Temperament in Three Primitive Societies (1935), p. xxvi 
[Anthropology demands] the open-mindedness with which one must look and listen, record in astonishment and wonder that which one would not have been able to guess.
As quoted in Gaither's Dictionary of Scientific Quotations (2012) by Carl C. Gaither and Alma E. Cavazos-Gaither
1950s

“I have always worked on the assumption that if something is valid and meaningful to me, it will also be valid and meaningful to many others. Not to everyone of course. On the basis of this assumption I do not think of an audience when I work, but only of my own reactions. By the same token I do not worry whether what I am doing is art or not. If what I paint is expressive, if it seems to communicate the feeling that is important to me, then I am not concerned if my work does not have marked earmarks of art. My work has been called abstract, surrealistic, totemistic and primitive.... I chose my own label and called my paintings 'Pictographs'..”

Adolph Gottlieb (1903–1974) American artist

Arts and Architecture, vol. 68, no 9, September 1951, p. 21.
1950s

“The difference between ethics and morality is quite essential. What is beneficial for one people is the ethics. Morality is the matter of intention, when I say I believe something is good and I will do it because my motivation is right. The fact that in the end it will be a disaster, is not my fault, I did it for good reasons. I despise that. I think that it is the excuse of the weaker. I am not interested in intentions. I am interested in consequences. Any one can have good intentions, which I believe is the matter of decency. I do not discuss others’ intentions. I assume that anyone has good intentions. But it is so trivial, that I am not interested in it. I am interested in what comes next. If I will not benefit from the outcome, I am not interested in good intentions.”

Zoran Đinđić (1952–2003) Serbian politician

From Zoran Djindjic's speech held to students of Banja Luka University, 20.02.2003.

“I view the award of the Nobel Prize to me as an expression of understanding of my intentions, my aspirations, the objectives of the profound transformation we have begun in our country, and the ideas of new thinking. I see it as your acknowledgment of my commitment to peaceful means of implementing the objectives of perestroika.”

Mikhail Gorbachev (1931) General Secretary of the Communist Party of the Soviet Union

Nobel Address (1991)

“All I can tell is that they [some small landscapes Bilders painted in Savoy, which were exhibited there] are more blatant than in my studio, and secondly that I have been honored with a pretty good review... the jury found evidence of a thoroughly study and of happy sunlight in my works. They thought that I had to cherish a lot of love for nature, to be able to show it so sensitive.... [I] can not deny that I am very pleased to find that my small paintings have been noticed favorably. And besides that, one will never forget his first review..”

Gerard Bilders (1838–1865) painter from the Netherlands

Bilder's travel to Switzerland with some other artists was the longest travel he ever made in his short life
Source: 1850's, Vrolijk Versterven' (from Bilders' diary & letters), p. 23 - quote in Bilder's letter to his maecenas Johannes Kneppelhout, from Savoy, near Geneva, Switserland, September 1858;

“.. About my work Howard – I always have two opinions – one is my way of seeing it for myself – and for myself I am never satisfied – never really – I almost always fail – always I think – now next time I can do it – Maybe that is part of what keeps one working – I can also look at myself – by that I mean my work from the point of view of the looking public – and that is the way I look at it when I think of showing. I have always first had a show for myself – and made up my mind – then after that it doesn't matter to me very much what anyone else say – good or bad.”

Georgia O'Keeffe (1887–1986) American artist

In a letter to William Howard Schubart, (nephew of her died husband), Abiquiu, New Mexico, August 4, 1950; as quoted in Voicing our visions, -Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 228
1950 - 1970

“I am really committed to my faith journey and I am committed to my family. My husband and I have been married for almost 30 years and we homeschool our kids. We have a different working-out-of the-box family, but we do make it work, obviously with God’s grace and we are very grateful for that.”

Jodi Benson (1961) American voice actress, actress and singer

Are there any drawbacks from not living in New York or L. A.? “Sometimes it can be a little bit lonely because we are the only family that we know that is in the entertainment industry, homeschools and is faith-based [while trying] to maintain some sort of ‘regular life’ so to speak in the midst of the crazy stuff. It is a little bit different I think. Sometimes we feel like we are the Lone Rangers, but this is where God has us and this is his calling for right now, for this season. We do it with joy and with integrity <br class="br"> Interview with a Mermaid http://www.beliefnet.com/columnists/peanutsandpopcorn/2013/09/interview-with-a-mermaid.html (2014)

“I am pervaded by the marvel of this art; but I cannot as yet explain it to myself. The Gothic is the world foreshortened. Where am I to begin? For more than thirty years I have been accumulating and comparing my observations. Perhaps eventually I shall succeed in deducing the rule, the law of divine intelligence; but perhaps I shall not have sufficient time. Then it will be the task of another, younger than myself, who will start his researches earlier, and who, besides, will have been informed by me.”

Auguste Rodin (1840–1917) French sculptor

Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 183; Rodin talks about cathedrals

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