“Of the eternal corporeal substance (which is not producible ex nihilo, nor reducible ad nihilum, but rarefiable, condensable, formable, arrangeable, and "fashionable") the composition is dissolved, the complexion is changed, the figure is modified, the being is altered, the fortune is varied, only the elements remaining what they are in substance, that same principle persevering which was always the one material principle, which is the true substance of things, eternal, ingenerable and incorruptible.”

As translated by Arthur Imerti (1964)
The Expulsion of the Triumphant Beast (1584)

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Giordano Bruno62

Italian philosopher, mathematician and astronomer 1548–1600

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“Of the eternal incorporeal substance nothing is changed, is formed or deformed, but there always remains only that thing which cannot be a subject of dissolution, since it is not possible that it be a subject of composition, and therefore, either of itself or by accident, it cannot be said to die.”

Giordano Bruno (1548–1600) Italian philosopher, mathematician and astronomer

As translated by Arthur Imerti (1964)
The Expulsion of the Triumphant Beast (1584)

“An element is a substance which cannot be further reduced to a simpler substance by ordinary processes, and is made up of particles of one kind only.”

C. N. R. Rao (1934) Indian chemist

Source: Understanding Chemistry (1999), p. 8

“The great thing however is, in the show of the temporal and the transient to recognize the substance which is immanent and the eternal which is present.”

Georg Wilhelm Friedrich Hegel (1770–1831) German philosopher

Works, VII, 17.
Context: The great thing however is, in the show of the temporal and the transient to recognize the substance which is immanent and the eternal which is present. For the work of Reason (which is synonymous with the Idea) when considered in its own actuality, is to simultaneously enter external existence and emerge with an infinite wealth of forms, phenomena and phases — a multiplicity that envelops its essential rational kernel with a motley outer rind with which our ordinary consciousness is earliest at home. It is this rind that the Concept must penetrate before Reason can find its own inward pulse and feel it still beating even in the outward phases. But this infinite variety of circumstances which is formed in this element of externality by the light of the rational essence shining in it — all this infinite material, with its regulatory laws — is not the object of philosophy.... To comprehend what is, is the task of philosophy: and what is is Reason.

“When we consider the being and substance of that universe in which we are immutably set, we shall discover that neither we ourselves nor any substance doth suffer death; for nothing is in fact diminished in its substance, but all things, wandering through infinite space, undergo change of aspect.”

Giordano Bruno (1548–1600) Italian philosopher, mathematician and astronomer

Introductory Epistle
On the Infinite Universe and Worlds (1584)

“Those distinct substances, which concretes generally either afford, or are made up of, may, without very much inconvenience, be called the elements or principles of them.”

Robert Boyle book The Sceptical Chymist

Part I, Proposition IV
The Sceptical Chymist (1661)

“.. I will endeavour to make clear to men of good will what the word 'material' means with regard to painting and that, without the material substance of paint, a painting is not a work of art but merely a decorative object, or rather, if it deals with an invented painting, the value of the image resides in its spiritual content.
In order to be a work of art, a painting must be very well painted and the good quality of the paint depends completely on the material substance of the paint with which it is executed. This matter, which constitutes the substance of painting, is composed of two elements which are equally important and absolutely inseparable: physical substance and metaphysical substance. These two elements complete each other reciprocally and when they are of a superior quality, create a masterpiece by way of their absolute harmony.”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Cirico's text 'A DISCOURSE ON THE MATERIAL SUBSTANCE OF PAINT', 1942 http://www.fondazionedechirico.org/wp-content/uploads/541-547Metafisica5_6.pdf, p. 542 <br class="br">1920s and later