“And the conversion of the other Don Quixote — he who was converted only to die — was possible because he was mad, and it was his madness, and not his death or his conversion that immortalized him, earning him forgiveness for this crime of having been born. Felix culpa! And neither was his madness cured, but only transformed. His death was his last knightly adventure; in dying he stormed heaven, which suffereth violence.”

— Miguel de Unamuno

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

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Miguel de Unamuno 199

19th-20th century Spanish writer and philosopher 1864–1936

John Fowles book The Collector

Source: The Collector

“But Don Quixote was converted. Yes — and died, poor soul. But the other, the real Don Quixote, he who remained on earth and lives among us with his spirit — this Don Quixote was not converted, this Don Quixote continues to incite us to make ourselves ridiculous, this Don Quixote must never die.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

“Reading made Don Quixote a gentleman. Believing what he read made him mad.”

George Bernard Shaw (1856–1950) Irish playwright

“Sometimes I feel sure he is as mad as a hatter and then, just as he is at his maddest, I find there is a method in his madness.”

Agatha Christie book The Mysterious Affair at Styles

Source: The Mysterious Affair at Styles

“It was in these wounded days the beginning of the man he would grow to be. He bore his pain and endured his wound as if a sign he too had been blooded by the madness that’d taken ahold of the land. He no longer shied from people, from the lone riders, from the reenslaved herded South. He no longer feared their presence on the roads and his conversion was believable to him. He had lived and did not die. He was breathing. Still, it was only the beginning and he was not old enough to know these changes, did not even know enough to think this way yet.”

Robert Olmstead (1954) American writer

Coal Black Horse (2007)

“"Why do you fight?"… He kept his wife, his kid, from dying. That was nothing. Less than nothing. If he had had money, if he could have left it to them, he would have been free to go and get killed. As if the universe had not treated him all his life with kicks in the belly, it now despoiled him of the only dignity he could ever possess — his death.”

André Malraux (1901–1976) French novelist, art theorist and politician

La condition humaine [Man's Fate] (1933)

“Every crusader is apt to go mad. He is haunted by the wickedness which is attributed to his enemies; it becomes in some sort a part of him.”

Aldous Huxley (1894–1963) English writer

Aldous Huxley, The Devils of London Chatto & Windus, London, (1951) p. 274

“Percy pushed on his side furiously and the crack closed. His eyes blazed with anger. She hoped he wasn’t mad at her, but if he was she couldn’t blame him.
If it keeps him going, she thought, then let him be angry.”

Rick Riordan book The House of Hades

Source: The House of Hades

“Driven raving mad by love—and he a man who had been always esteemed for his great prudence.”

Ludovico Ariosto book Orlando Furioso

Che per amor venne in furore e matto,
d'huom che si saggio era stimato prima.
Canto I, stanza 2 (tr. Guido Waldman); of Orlando.
Orlando Furioso (1532)

“But our Don Quixote, the inward, the immortal Don Quixote, conscious of his own comicness, does not believe that his doctrines will triumph in this world, because they are not of it. And it is better that they should not triumph. And if the world wished to make Don Quixote king, he would retire alone to the mountain, fleeing from the king-making crowds, as Christ retired alone to the mountain when, after the miracle of the loaves and fishes, they sought to proclaim him king. He left the title of king for the inscription written over the cross.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

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Miguel de Unamuno 199

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