Source: Argonautica, Book V, Lines 519–520
Talibus orantem vultu gravis ille minaci iamdudum premit et furiis ignescit opertis.
Source: The Story of his Life Told by Himself (1898), p. 62
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 71
Referring to Michelangelo
Source: The Nude: A Study in Ideal Form (1951), Ch. VI: Pathos
The Himalayan Masters: A Living Tradition (2002)
“Keep a little fire burning; however small, however hidden.”
Source: The Road
1860s, Cooper Union speech (1860)
Context: But you will not abide the election of a Republican president! In that supposed event, you say, you will destroy the Union; and then, you say, the great crime of having destroyed it will be upon us! That is cool. A highwayman holds a pistol to my ear, and mutters through his teeth, "Stand and deliver, or I shall kill you, and then you will be a murderer!" To be sure, what the robber demanded of me — my money — was my own; and I had a clear right to keep it; but it was no more my own than my vote is my own; and the threat of death to me, to extort my money, and the threat of destruction to the Union, to extort my vote, can scarcely be distinguished in principle.
Flowering Judas, Introduction to Modern Library edition (1940)
Context: For myself, and I was not alone, all the conscious and recollected years of my life have been lived to this day under the heavy threat of world catastrophe, and most of the energies of my mind and spirit have been spent in the effort to grasp the meaning of those threats, to trace them to their sources and to understand the logic of this majestic and terrible failure of the life of man in the Western world.
In the face of such shape and weight of present misfortune, the voice of the individual artist may seem perhaps of no more consequence than the whirring of a cricket in the grass, but the arts do live continuously, and they live literally by faith; their names and their shapes and their uses and their basic meanings survive unchanged in all that matters through times of interruption, diminishment, neglect; they outlive governments and creeds and the societies, even the very civilization that produced them. They cannot be destroyed altogether because they represent the substance of faith and the only reality. They are what we find again when the ruins are cleared away.
